Brahms: Variations on a Theme by Haydn for 2 Pianos, Op. 56b "St. Antoni Chorale": Variation I. Andante con moto (Live)

Name: Brahms: Variations on a Theme by Haydn for 2 Pianos, Op. 56b "St. Antoni Chorale": Variation I. Andante con moto (Live)
Description: Brahms: Variations on a Theme by Haydn for 2 Pianos, Op. 56b "St. Antoni Chorale": Variation I. Andante con moto (Live) a song by Martha Argerich on Music Co IM

Brahms: Variations on a Theme by Haydn for 2 Pianos, Op. 56b "St. Antoni Chorale": Variation I. Andante con moto (Live) a song by Martha Argerich on Music Co IM

Schumann: Andante and Variations, Op. 46 by Martha Argerich ,
Mendelssohn: Overture to A Midsummer Night's Dream, Op. 21, MWV P3 (Arr. for Two Pianos) [Live] by Martha Argerich , Cristina Marton ,
Chopin: Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso by Martha Argerich ,
Mozart: 5 Variations for Piano 4-Hands in G Major, K. 501 by Martha Argerich ,
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: Scherzo (Version for Two Pianos) [Live] by Martha Argerich , Cristina Marton ,
Chopin: Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo by Martha Argerich ,
Mozart / Arr. Grieg for Two Pianos: Piano Sonata No. 16 in C Major, K. 545 "Semplice": I. Allegro (Live) by Martha Argerich , Piotr Anderszewski ,
Brahms: Sonata for 2 Pianos in F Minor, Op. 34b: I. Allegro non troppo (Live) by Martha Argerich , Lilya Zilberstein ,
Chopin: Piano Sonata No. 3 in B Minor, Op. 58: III. Largo by Martha Argerich ,
Mozart / Arr. Grieg for Two Pianos: Piano Sonata No. 16 in C Major, K. 545 "Semplice": II. Andante (Live) by Martha Argerich , Piotr Anderszewski ,
Brahms: Sonata for 2 Pianos in F Minor, Op. 34b: II. Andante, un poco adagio (Live) by Martha Argerich , Lilya Zilberstein ,
Chopin: Piano Sonata No. 3 in B Minor, Op. 58: IV. Finale. Presto non tanto by Martha Argerich ,
Mozart / Arr. Grieg for Two Pianos: Piano Sonata No. 16 in C Major, K. 545 "Semplice": III. Rondo. Allegretto (Live) by Martha Argerich , Piotr Anderszewski ,
Brahms: Sonata for 2 Pianos in F Minor, Op. 34b: III. Scherzo. Allegro (Live) by Martha Argerich , Lilya Zilberstein ,
Chopin: Mazurka No. 36 in A Minor, Op. 59 No. 1 by Martha Argerich ,
Mozart / Arr. Busoni for Two Pianos: Fantasia for Mechanical Organ in F Minor, K. 608 (Live) by Martha Argerich , Lilya Zilberstein ,
Brahms: Sonata for 2 Pianos in F Minor, Op. 34b: IV. Finale. Poco sostenuto (Live) by Martha Argerich , Lilya Zilberstein ,
Chopin: Mazurka No. 37 in A-Flat Major, Op. 59 No. 2 by Martha Argerich ,
Liszt: Réminiscences de Don Juan, S. 656: I. Grave (Version for 2 Pianos) [Live] by Martha Argerich , Mauricio Vallina ,
Brahms: Variations on a Theme by Haydn for 2 Pianos, Op. 56b "St. Antoni Chorale": Theme. Andante (Live) by Martha Argerich , Polina Leschenko ,
Chopin: Mazurka No. 38 in F-Sharp Minor, Op. 59 No. 3 by Martha Argerich ,
Liszt / Arr Liszt: Réminiscences de Don Juan, S. 656: II. Duetto (Andantino) [Arr. Liszt for 2 Pianos] [Live] by Martha Argerich , Mauricio Vallina ,
Brahms: Variations on a Theme by Haydn for 2 Pianos, Op. 56b "St. Antoni Chorale": Variation I. Andante con moto (Live) by Martha Argerich , Polina Leschenko ,
Chopin: Nocturne No. 4 in F Major, Op. 15 No. 1 by Martha Argerich ,
Liszt / Arr. Liszt: Réminiscences de Don Juan, S. 656: III. Allegretto (Arr. Liszt for 2 Pianos) [Live] by Martha Argerich , Mauricio Vallina ,
Brahms: Variations on a Theme by Haydn for 2 Pianos, Op. 56b "St. Antoni Chorale": Variation II. Vivace (Live) by Martha Argerich , Polina Leschenko ,
Chopin: Scherzo No. 3 in C-Sharp Minor, Op. 39 by Martha Argerich ,
Liszt / Arr. Liszt: Réminiscences de Don Juan, S. 656: IV. Presto (Arr. Liszt for 2 Pianos) [Live] by Martha Argerich , Mauricio Vallina ,
Brahms: Variations on a Theme by Haydn for 2 Pianos, Op. 56b "St. Antoni Chorale": Variation III. Con moto (Live) by Martha Argerich , Polina Leschenko ,
Chopin: Polonaise No. 6 in A-Flat Major, Op. 53 "Heroic" by Martha Argerich ,
Liszt: Concerto pathétique, for 2 Pianos, S. 258 (Live at Saratoga Performing Arts Centre, 1998) by Martha Argerich , Nelson Freire ,
Brahms: Variations on a Theme by Haydn for 2 Pianos, Op. 56b "St. Antoni Chorale": Variation IV. Andante (Live) by Martha Argerich , Polina Leschenko ,
Schumann: Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen (Live) by Martha Argerich ,
Brahms: Variations on a Theme by Haydn for 2 Pianos, Op. 56b "St. Antoni Chorale": Variation V. Poco presto (Live) by Martha Argerich , Polina Leschenko ,
Schumann: Kinderszenen, Op. 15: No. 2, Kuriose Geschichte (Live) by Martha Argerich ,
Brahms: Variations on a Theme by Haydn for 2 Pianos, Op. 56b "St. Antoni Chorale": Variation VI. Vivace (Live) by Martha Argerich , Polina Leschenko ,
Schumann: Kinderszenen, Op. 15: No. 3, Hasche-Mann (Live) by Martha Argerich ,
Brahms: Variations on a Theme by Haydn for 2 Pianos, Op. 56b "St. Antoni Chorale": Variation VII. Grazioso (Live) by Martha Argerich , Polina Leschenko ,
Schumann: Kinderszenen, Op. 15: No. 4, Bittendes Kind (Live) by Martha Argerich ,
Brahms: Variations on a Theme by Haydn for 2 Pianos, Op. 56b "St. Antoni Chorale": Variation VIII. Poco presto (Live) by Martha Argerich , Polina Leschenko ,
Schumann: Kinderszenen, Op. 15: No. 5, Glückes genug (Live) by Martha Argerich ,
Brahms: Variations on a Theme by Haydn for 2 Pianos, Op. 56b "St. Antoni Chorale": Finale. Andante (Live) by Martha Argerich , Polina Leschenko ,
Schumann: Kinderszenen, Op. 15: No. 6, Wichtige Begebenheit (Live) by Martha Argerich ,
Schumann: Kinderszenen, Op. 15: No. 7, Träumerei (Live) by Martha Argerich ,
Schumann: Kinderszenen, Op. 15: No. 8, Am Kamin (Live) by Martha Argerich ,
Schumann: Kinderszenen, Op. 15: No. 9, Ritter vom Steckenpferd (Live) by Martha Argerich ,
Schumann: Kinderszenen, Op. 15: No. 10, Fast zu ernst (Live) by Martha Argerich ,
Schumann: Kinderszenen, Op. 15: No. 11, Fürchtenmachen (Live) by Martha Argerich ,
Schumann: Kinderszenen, Op. 15: No. 12, Kind im Einschlummern (Live) by Martha Argerich ,
Schumann: Kinderszenen, Op. 15: No. 13, Der Dichter spricht (Live) by Martha Argerich ,