4 Album Leaves, Op. 28 (Excerpts): No. 1, Allegro con moto

Name: 4 Album Leaves, Op. 28 (Excerpts): No. 1, Allegro con moto
Description: 4 Album Leaves, Op. 28 (Excerpts): No. 1, Allegro con moto a song by Edvard Grieg on Music Co IM

4 Album Leaves, Op. 28 (Excerpts): No. 1, Allegro con moto a song by Edvard Grieg on Music Co IM

Fantasiestücke, Op. 12: No. 1, Des Abends by Robert Schumann , Harold Bauer ,
Fantasiestücke, Op. 12: No. 2, Aufschwung by Robert Schumann , Harold Bauer ,
Fantasiestücke, Op. 12: No. 3, Warum? by Robert Schumann , Harold Bauer ,
Fantasiestücke, Op. 12: No. 4, Grillen by Robert Schumann , Harold Bauer ,
Fantasiestücke, Op. 12: No. 5, In der Nacht (1) by Robert Schumann , Harold Bauer ,
Fantasiestücke, Op. 12: No. 6, Fabel by Robert Schumann , Harold Bauer ,
Fantasiestücke, Op. 12: No. 7, Traumes Wirren by Robert Schumann , Harold Bauer ,
Fantasiestücke, Op. 12: No. 8, Ende vom Lied by Robert Schumann , Harold Bauer ,
Fantasiestücke, Op. 12: No. 5, In der Nacht (2) by Robert Schumann , Harold Bauer ,
8 Novelletten, Op. 21: No. 2, Ausserst rasch und mit Bravour by Robert Schumann , Harold Bauer ,
3 Études de concert, S. 144: No. 3, Un sospiro by Franz Liszt , Harold Bauer ,
2 Konzertetüden, S. 145: No. 1, Waldesrauschen by Franz Liszt , Harold Bauer ,
Scenes of Country Life, Op. 19: No. 2, Brudefølget drar forbi by Edvard Grieg , Harold Bauer ,
Albumblad, EG 109 by Edvard Grieg , Harold Bauer ,
4 Album Leaves, Op. 28 (Excerpts): No. 3, Vivace by Edvard Grieg , Harold Bauer ,
4 Album Leaves, Op. 28 (Excerpts): No. 1, Allegro con moto by Edvard Grieg , Harold Bauer ,
Lyric Pieces, Op. 43 (Excerpts): No. 1, Sommerfugl by Edvard Grieg , Harold Bauer ,
Lyric Pieces, Op. 43 (Excerpts): No. 6, Til foråret by Edvard Grieg , Harold Bauer ,
Lyric Pieces, Op. 54: No. 4, Notturno by Edvard Grieg , Harold Bauer ,
Lyric Pieces, Op. 47: No. 1, Valse-impromptu by Edvard Grieg , Harold Bauer ,
4 Humoresques, Op. 6: No. 3, Jeg elsker dig! by Edvard Grieg , Harold Bauer ,
Lyric Pieces, Op. 38: No. 1, Berceuse by Edvard Grieg , Harold Bauer ,