Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Piano, S. 464/6): I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo

Name: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Piano, S. 464/6): I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
Description: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Piano, S. 464/6): I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo a song by Ludwig van Beethoven on Music Co IM

Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Piano, S. 464/6): I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo a song by Ludwig van Beethoven on Music Co IM

6 Variations in D Major, Op. 76: Theme (Allegro risoluto) by Ludwig van Beethoven , Maurizio Baglini ,
6 Variations in D Major, Op. 76: Var. 1 by Ludwig van Beethoven , Maurizio Baglini ,
6 Variations in D Major, Op. 76: Var. 2 by Ludwig van Beethoven , Maurizio Baglini ,
6 Variations in D Major, Op. 76: Var. 3 by Ludwig van Beethoven , Maurizio Baglini ,
6 Variations in D Major, Op. 76: Var. 4 by Ludwig van Beethoven , Maurizio Baglini ,
6 Variations in D Major, Op. 76: Var. 5 by Ludwig van Beethoven , Maurizio Baglini ,
6 Variations in D Major, Op. 76: Var. 6 (Presto) by Ludwig van Beethoven , Maurizio Baglini ,
6 Variations in D Major, Op. 76: Coda (Tempo I) by Ludwig van Beethoven , Maurizio Baglini ,
Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Piano, S. 464/6): I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo by Ludwig van Beethoven , Maurizio Baglini ,
Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Piano, S. 464/6): II. Scene am Bach. Andante molto moto by Ludwig van Beethoven , Maurizio Baglini ,
Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Piano, S. 464/6): III. Lustiges Zusammensein der Landleute. Allegro by Ludwig van Beethoven , Maurizio Baglini ,
Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Piano, S. 464/6): IV. Gewitter. Sturm. Allegro by Ludwig van Beethoven , Maurizio Baglini ,
Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Piano, S. 464/6): V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto by Ludwig van Beethoven , Maurizio Baglini ,
Totentanz: Paraphrase on Dies Irae, S. 525: Andante - Presto - Allegro - Allegro moderato by Franz Liszt , Maurizio Baglini ,
Totentanz: Paraphrase on Dies Irae, S. 525: Var. 1 (Allegro moderato) by Franz Liszt , Maurizio Baglini ,
Totentanz: Paraphrase on Dies Irae, S. 525: Var. 2 by Franz Liszt , Maurizio Baglini ,
Totentanz: Paraphrase on Dies Irae, S. 525: Var. 3 (Molto vivace) by Franz Liszt , Maurizio Baglini ,
Totentanz: Paraphrase on Dies Irae, S. 525: Var. 4. Canonique (Lent) - Presto by Franz Liszt , Maurizio Baglini ,
Totentanz: Paraphrase on Dies Irae, S. 525: Var. 5. Fugato (Vivace) - Cadenza by Franz Liszt , Maurizio Baglini ,
Totentanz: Paraphrase on Dies Irae, S. 525: Sempre allegro, ma non troppo - Un poco meno allegro - Presto by Franz Liszt , Maurizio Baglini ,
Album d’un voyageur, S. 156 / Book II. Fleurs mélodiques des Alpes: No. 7c, Allegro pastorale by Franz Liszt , Maurizio Baglini ,
Années de pèlerinage I, S. 160: No. 3, Pastorale by Franz Liszt , Maurizio Baglini ,
6 Variations in D Major, Op. 76: Theme (Allegro risoluto) - Commentary by Spoken Word , Maurizio Baglini ,
6 Variations in D Major, Op. 76: Var. 1 - Commentary by Spoken Word , Maurizio Baglini ,
6 Variations in D Major, Op. 76: Var. 2 - Commentary by Spoken Word , Maurizio Baglini ,
6 Variations in D Major, Op. 76: Var. 3 - Commentary by Spoken Word , Maurizio Baglini ,
6 Variations in D Major, Op. 76: Var. 4 - Commentary by Spoken Word , Maurizio Baglini ,
6 Variations in D Major, Op. 76: Var. 5 - Commentary by Spoken Word , Maurizio Baglini ,
6 Variations in D Major, Op. 76: Var. 6 - Commentary by Spoken Word , Maurizio Baglini ,
6 Variations in D Major, Op. 76: Coda (Tempo I) - Commentary by Spoken Word , Maurizio Baglini ,
Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Piano, S. 464/6): I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo - Commentary by Spoken Word , Maurizio Baglini ,
Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Piano, S. 464/6): II. Scene am Bach. Andante molto moto - Commentary by Spoken Word , Maurizio Baglini ,
Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Piano, S. 464/6): III. Lustiges Zusammensein der Landleute. Allegro - Commentary by Spoken Word , Maurizio Baglini ,
Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Piano, S. 464/6): IV. Gewitter. Sturm. Allegro - Commentary by Spoken Word , Maurizio Baglini ,
Symphony No. 6 in F Major, Op. 68 "Pastoral" (Transcr. Liszt for Piano, S. 464/6): V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto - Commentary by Spoken Word , Maurizio Baglini ,
Totentanz: Paraphrase on Dies Irae, S. 525: Andante - Presto - Allegro - Allegro moderato - Commentary by Spoken Word , Maurizio Baglini ,
Totentanz: Paraphrase on Dies Irae, S. 525: Var. 1 (Allegro moderato) - Commentary by Spoken Word , Maurizio Baglini ,
Totentanz: Paraphrase on Dies Irae, S. 525: Var. 2 - Commentary by Spoken Word , Maurizio Baglini ,
Totentanz: Paraphrase on Dies Irae, S. 525: Var. 3 (Molto vivace) - Commentary by Spoken Word , Maurizio Baglini ,
Totentanz: Paraphrase on Dies Irae, S. 525: Var. 4 Canonique (Lent) - Presto - Commentary by Spoken Word , Maurizio Baglini ,
Totentanz: Paraphrase on Dies Irae, S. 525: Var. 5 Fugato (Vivace) - Cadenza - Commentary by Spoken Word , Maurizio Baglini ,
Totentanz: Paraphrase on Dies Irae, S. 525: Sempre allegro, ma non troppo - Un poco meno allegro - Presto - Commentary by Spoken Word , Maurizio Baglini ,
Album d'un voyageur, S. 156 / Book II. Fleurs mélodiques des Alpes: No. 7c, Allegro pastorale - Commentary by Spoken Word , Maurizio Baglini ,
Années de pèlerinage I, S. 160: No. 3, Pastorale - Commentary by Spoken Word , Maurizio Baglini ,