Scarlatti, A: Sedecia, re di Gerusalemme, Pt. 2: No. 42, Aria. "Caldo sangue" (Ismaele)

Name: Scarlatti, A: Sedecia, re di Gerusalemme, Pt. 2: No. 42, Aria. "Caldo sangue" (Ismaele)
Description: Scarlatti, A: Sedecia, re di Gerusalemme, Pt. 2: No. 42, Aria. "Caldo sangue" (Ismaele) a song by Alessandro Scarlatti on Music Co IM

Scarlatti, A: Sedecia, re di Gerusalemme, Pt. 2: No. 42, Aria. "Caldo sangue" (Ismaele) a song by Alessandro Scarlatti on Music Co IM

Handel: Serse, HWV 40, Act 1, Scene 1: Accompagnato. "Frondi tenere" - Arioso. "Ombra mai fù" (Serse) by George Frideric Handel , David Daniels , Orchestra of the Age of Enlightenment , Sir Roger Norrington ,
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) by Johann Sebastian Bach , Philippe Herreweghe/Andreas Scholl , Philippe Herreweghe ,
Handel: Serse, HWV 40, Act 1: Arioso. "Ombra mai fù" (Serse) by George Frideric Handel , David Daniels , Orchestra of the Age of Enlightenment , Sir Roger Norrington ,
Pergolesi: Stabat Mater: VII. Eia Mater by Giovanni Battista Pergolesi , Véronique Gens , Gérard Lesne , Il Seminario Musicale ,
Handel: Tamerlano, HWV 18, Act 3: Aria. "A dispetto d'un volto ingrato" (Andronico) by George Frideric Handel , David Daniels , Orchestra of the Age of Enlightenment , Sir Roger Norrington ,
Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris by Johann Sebastian Bach , Philippe Herreweghe , Charles Brett , Collegium Vocale Gent ,
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) by Christoph Willibald Gluck , David Daniels , Harry Bicket , Orchestra of the Age of Enlightenment ,
Bach, JS: Mass in B Minor, BWV 232: Agnus Dei by Johann Sebastian Bach , Philippe Herreweghe , Charles Brett , Collegium Vocale Gent ,
Gluck: Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) by Christoph Willibald Gluck , David Daniels , Harry Bicket , Orchestra of the Age of Enlightenment ,
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" by Johann Sebastian Bach , Philippe Herreweghe , Collegium Vocale Gent , Michael Chance ,
Vivaldi: Cessate, omai cessate, RV 684 by Antonio Vivaldi , Stephen Stubbs , Derek Lee Ragin , Teatro Lirico ,
Bach, JS: Magnificat in D Major, BWV 243: IX. Aria. "Esurientes implevit bonis" by Johann Sebastian Bach , Greta de Reyghere/René Jacobs/Christoph Prégardien/Peter Lika/Nederlands Kamerkoor/La Petite Bande/Sigiswald Kuijken , La Petite Bande , Sigiswald Kuijken ,
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 2, Aria and Chorus. "Come Ye Sons of Art Away" by Henry Purcell , Gustav Leonhardt , Choir Of The Age Of Enlightenment , James Bowman , Orchestra of the Age of Enlightenment ,
Bach, JS: Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 5, Aria. "Mir ekelt mehr zu leben" by Johann Sebastian Bach , René Jacobs , Linde Consort , Hans-Martin Linde ,
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" by Henry Purcell , Gustav Leonhardt , Christopher Robson , James Bowman , Orchestra of the Age of Enlightenment ,
Bach, JS: Ich ruf zu dir, Herr Jesu Christ, BWV 177: No. 2, Aria. "Ich bitt noch mehr, o Herre Gott" by Johann Sebastian Bach , René Jacobs , Linde Consort , Hans-Martin Linde ,
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 5, Ritornello. "Strike the Viol" by Henry Purcell , Gustav Leonhardt , James Bowman , Orchestra of the Age of Enlightenment ,
Handel: Saul, HWV 53, Act 1: Aria. "O Lord, Whose Mercies Numberless" (David) by George Frideric Handel , Paul Esswood , English Chamber Orchestra , Sir Philip Ledger ,
Purcell: Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 4, Duet."Sweetness of Nature and True Wit" by Henry Purcell , Gérard Lesne , Steve Dugardin , La Canzona , Elisabeth Joyé ,
Handel: Saul, HWV 53, Act 2, Scene 4: Aria. "Your Words, Oh King" (David) by George Frideric Handel , Paul Esswood , English Chamber Orchestra , Sir Philip Ledger , Philip Ledger ,
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Duet. "In Vain the Am'rous Flute" by Henry Purcell , Gérard Lesne , Steve Dugardin , Pierre Hamon , Sébastien Marq , La Canzona ,
Handel: Israel in Egypt, HWV 54, Pt. 3: Air. "Thou shalt bring them in" by George Frideric Handel , Timothy Wilson/Taverner Players/Andrew Parrott , Taverner Players , Timothy Wilson , Andrew Parrott ,
Du Buisson: Airs sérieux et à boire, Livre IX: Plainte sur la mort de Monseur Lambert by Jacques Lambert du Buisson , Gérard Lesne , Il Seminario Musicale ,
Handel: Messiah, HWV 56, Pt. 2, Scene 1: Aria. "He Was Despised and Rejected of Men" by George Frideric Handel , Alfred Deller/Philharmonia Orchestra/George Weldon , George Weldon , Philharmonia Orchestra ,
If women could be fair by William Byrd , Michael Chance/Christopher Wilson ,
Scarlatti, A: Sedecia, re di Gerusalemme, Pt. 2: No. 42, Aria. "Caldo sangue" (Ismaele) by Alessandro Scarlatti , Gérard Lesne , Il Seminario Musicale , Philippe Jaroussky ,
Julius Caesar: Deep within my bosom burning by George Frideric Handel , Sir Charles Mackerras ,
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti by Johann Adolf Hasse , Gérard Lesne , Il Seminario Musicale , Michael Chance ,
Handel: Admeto, HWV 22, Act 2: Aria. "Sparite, oh pensieri, se solo volete" (Admeto) by George Frideric Handel , Alan Curtis , Il Complesso Barocco , René Jacobs ,
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato by Johann Adolf Hasse , Gérard Lesne , Il Seminario Musicale , Michael Chance ,
Handel: The Choice of Hercules, HWV 69: Air. "Yet can I hear that dulcet lay" (Hercules) by George Frideric Handel , James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields , Sir Philip Ledger , Philip Ledger , Academy of St. Martin in the Fields ,
Campra: Miserere: VI. Redde mihi laetitiam (Haute-contre) by André Campra , Dominique Visse/Gilles Ragon/Peter Harvey/Les Pages de la Chapelle/Olivier Schneebeli/La Grande Ecurie et la Chambre du Roy/Jean-Claude Malgoire , Jean-Claude Malgoire , La Grande Écurie et la Chambre du Roy ,
Handel: Rodelinda, HWV 19, Act 1, Scene 10: Recitativo. "Sì, l'infida consorte" (Bertarido) by George Frideric Handel , Sophie Daneman/Daniel Taylor/Adrian Thompson/Catherine Robbin/Robin Blaze/Christopher Purves/Raglan Baroque Players/Nicholas Kraemer , Nicholas Kraemer , Raglan Baroque Players ,
Handel: Rodelinda, HWV 19, Act 1, Scene 10: Aria. "Confusa si miri l'infida consorte" (Bertarido) by George Frideric Handel , Sophie Daneman/Daniel Taylor/Adrian Thompson/Catherine Robbin/Robin Blaze/Christopher Purves/Raglan Baroque Players/Nicholas Kraemer , Nicholas Kraemer , Raglan Baroque Players ,
Handel: Arminio, HWV 36, Act 2: Aria. "Con quel sangue dipinta vedrai forriera" (Tullio) by George Frideric Handel , Vivica Genaux , Il Complesso Barocco , Sytse Buwalda , Alan Curtis ,
Purcell: The Fairy Queen, Z. 629, Act V: Song. "Hark! How All Things" by Henry Purcell , Alfred Deller/String Orchestra/Terence Weil/Basil Lam , Basil Lam , Terence Weil ,