Carmen, WD 31, Act I Scene 4: No. 5. Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) [Recorded in London, 1962]

Name: Carmen, WD 31, Act I Scene 4: No. 5. Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) [Recorded in London, 1962]
Description: Carmen, WD 31, Act I Scene 4: No. 5. Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) [Recorded in London, 1962] a song by Maria Callas on Music Co IM

Carmen, WD 31, Act I Scene 4: No. 5. Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) [Recorded in London, 1962] a song by Maria Callas on Music Co IM

Madama Butterfly, SC 74, Act I: "Ah! quanto cielo! quanto mar!" (Chorus, Butterfly, Goro) by Maria Callas , Orchestra Del Teatro Alla Scala, Milano , Coro Del Teatro Alla Scala Di Milano , Herbert von Karajan , Renato Ercolani ,
Cavalleria rusticana: Preludio. Andante sostenuto by Orchestra Del Teatro Alla Scala, Milano , Tullio Serafin ,
Les vêpres siciliennes, Act V Scene 2: "Mercé, dilette amiche" (Elena, Chorus) by Maria Callas , Orchestra Del Teatro Alla Scala, Milano , Tullio Serafin , Coro Del Teatro Alla Scala Di Milano ,
In mia man (After "Casta diva" from Bellini's "Norma") by François Virot ,
Norma, Act I Scene 4: No. 4b. Aria, "Casta diva" (Norma, Chorus) [Recorded in Paris, 1958] by Maria Callas , Choeur de l'Opéra National de Paris , Orchestre de l'Opéra National de Paris , Georges Sebastian ,
La forza del destino, Act I: Sinfonia. Allegro - Allegro agitato e presto - Andantino by Royal Philharmonic Orchestra , Tullio Serafin ,
La traviata, Act III Scene 4: No. 8c. "Addio, del passato" (Violetta) [Recorded in Lisbon, 1958] by Maria Callas , Orchestra of the San Carlos Opera House, Lisbon , Franco Ghione ,
Médée, Act III: Introduzione by Orchestra of the Royal Opera House, Covent Garden , Nicola Rescigno ,
La Gioconda, Op. 9, Act III Scene 6: Danza delle Ore. Moderato - Andante poco mosso by Orchestra Del Teatro Alla Scala, Milano , Coro Del Teatro Alla Scala Di Milano , Antonino Votto ,
Médée, Act II: Introduzione by Orchestra Del Teatro Alla Scala, Milano , Tullio Serafin ,
Macbeth, Act I Scene 5: No. 4b. Cavatina, "Vieni! t'affretta!" (Lady Macbeth) [Recorded in Hamburg, 1959] by Maria Callas , Sinfonieorchester des Norddeutschen Rundfunks , Nicola Rescigno ,
Stormy Weather by Don Byas ,
Carmen, WD 31, Act I Scene 4: No. 5. Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) [Recorded in London, 1962] by Maria Callas , Orchestra of the Royal Opera House, Covent Garden , Georges Prêtre ,
10 Pièces de genre, Op. 10: V. Mélodie. Lento ma non troppo, con malinconia by François Virot ,
Sirtaki by Giorgos Zampetas ,
Norma, Act II Scene 1: No. 9a. Introduzione by Orchestra Sinfonica di Roma della RAI , Tullio Serafin ,
Tosca, SC 69, Act II Scene 5: "Vissi d'arte, vissi d'amore" (Tosca) [Unpublished Recording, New York, 1956] by Maria Callas , Metropolitan Opera Orchestra , Dimitri Mitropoulos ,
Tosca, SC 69, Act III Scene 2: "E lucevan le stelle" (Arr. with Clarinet, Cello and Piano) by Susanne Beer , Gareth Hancock ,
La sonnambula, Act II Scene 2: No. 14. Scena e Aria, "Ah! non credea mirarti" (Amina, Enrico) by Maria Callas , Orchestra Del Teatro Alla Scala, Milano , Nicola Monti , Antonino Votto ,
Werther, Act III: "Va ! Laisse couler mes larmes" (Arr. for Solo Piano) by François Virot ,
La sonnambula, Act II Scene 2: "Ah! non credea mirarti" (Arr. for Solo Piano) by François Virot ,
Madama Butterfly, SC 74, Act II Scene 1: Intermezzo. Coro a bocca chiusa by Orchestra Del Teatro Alla Scala, Milano , Coro Del Teatro Alla Scala Di Milano , Herbert von Karajan ,
La traviata, Act III Scene 4: "Addio, del passato" (Arr. for Solo Piano) by Vincent Leterme ,
Andrea Chénier, Act III: "La mamma morta m'hanno alla porta" by Maria Callas , Orchestra Del Teatro Alla Scala, Milano , Tullio Serafin ,
Gianni Schicchi: "O mio babbino caro" (Lauretta) by Maria Callas , Philharmonia Orchestra , Tullio Serafin ,
Werther, Act III: "Va ! Laisse couler mes larmes" (Arr. for Solo Piano - Alternative Recorded Version) by François Virot ,
Excerpt from an Interview with Micheline Banzet - Paris, 5 February 1965 by Maria Callas ,