Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends t

Name: Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends t
Description: Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends t a song by Bach on Music Co IM

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends t a song by Bach on Music Co IM

Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903) by Bach , James Friskin ,
Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948) by Bach , James Friskin ,
Italian Concerto, BWV971: i. Allegro by Bach , James Friskin ,
Italian Concerto, BWV971: ii. Andante by Bach , James Friskin ,
Italian Concerto, BWV971: iii. Presto by Bach , James Friskin ,
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends t by Bach , James Friskin ,
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell by Bach , James Friskin ,
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends) by Bach , James Friskin ,
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His f by Bach , James Friskin ,
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione by Bach , James Friskin ,
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione by Bach , James Friskin ,
Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin by Bach , James Friskin ,
Toccata in C Minor, BWV911 by Bach , James Friskin ,
French Suite No. 3 in B Minor BWV814: i. Allemande by Bach , James Friskin ,
French Suite No. 3 in B Minor BWV814: ii. Courante by Bach , James Friskin ,
French Suite No. 3 in B Minor BWV814: iii. Sarabande by Bach , James Friskin ,
French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio by Bach , James Friskin ,
French Suite No. 3 in B Minor BWV814: v. Gavotte by Bach , James Friskin ,
French Suite No. 3 in B Minor BWV814: vi. Gigue by Bach , James Friskin ,
French Suite No. 4 in E-flat Major, BWV815: i. Allemande by Bach , James Friskin ,
French Suite No. 4 in E-flat Major, BWV815: ii. Courante by Bach , James Friskin ,
French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande by Bach , James Friskin ,
French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte by Bach , James Friskin ,
French Suite No. 4 in E-flat Major, BWV815: v. Air by Bach , James Friskin ,
French Suite No. 4 in E-flat Major, BWV815: vi. Menuet by Bach , James Friskin ,
French Suite No. 4 in E-flat Major, BWV815: vii. Gigue by Bach , James Friskin ,
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme by Bach , Choir of The Bach Guild , Felix Prohaska , Orchestra of The Bach Guild ,
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt by Bach , Alfred Uhl , Choir of The Bach Guild , Orchestra of The Bach Guild , Felix Prohaska ,
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil by Bach , Anny Felbermeyer , Hans Braun , Felix Prohaska , Choir of The Bach Guild , Orchestra of The Bach Guild ,
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake') by Bach , Choir of The Bach Guild , Orchestra of The Bach Guild , Felix Prohaska ,
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir by Bach , Hans Braun , Choir of The Bach Guild , Orchestra of The Bach Guild , Felix Prohaska ,
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein! by Bach , Anny Felbermeyer , Felix Prohaska , Choir of The Bach Guild , Hans Braun , Orchestra of The Bach Guild ,
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen by Bach , Choir of The Bach Guild , Felix Prohaska , Orchestra of The Bach Guild ,
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden by Bach , Choir of The Bach Guild , Orchestra of The Bach Guild , Felix Prohaska ,
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt by Bach , Anny Felbermeyer , Orchestra of The Bach Guild , Felix Prohaska , Choir of The Bach Guild ,
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn by Bach , Alfred Uhl , Choir of The Bach Guild , Orchestra of The Bach Guild , Felix Prohaska ,
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg by Bach , Choir of The Bach Guild , Felix Prohaska , Orchestra of The Bach Guild ,
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm by Bach , Hans Braun , Orchestra of The Bach Guild , Felix Prohaska , Choir of The Bach Guild ,
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest by Bach , Anny Felbermeyer , Choir of The Bach Guild , Orchestra of The Bach Guild , Alfred Uhl , Felix Prohaska ,
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl by Bach , Choir of The Bach Guild , Felix Prohaska , Orchestra of The Bach Guild ,
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein by Bach , Vienna State Opera Orchestra , Vienna Chamber Choir , Michael Gielen ,
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt by Bach , Harald Hermann , Vienna Chamber Choir , Michael Gielen , Vienna State Opera Orchestra ,
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor by Bach , Margit Opawsky , Michael Gielen , Vienna State Opera Orchestra , Vienna Chamber Choir ,
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt by Bach , Hilde Rössel Majdan , Vienna Chamber Choir , Vienna State Opera Orchestra , Michael Gielen ,
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht by Bach , Harald Hermann , Vienna State Opera Orchestra , Vienna Chamber Choir , Michael Gielen ,
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr by Bach , Vienna State Opera Orchestra , Michael Gielen , Vienna Chamber Choir ,
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir by Bach , Vienna State Opera Orchestra , Michael Gielen , Vienna Chamber Choir ,
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib by Bach , Hilde Rössel Majdan , Michael Gielen , Vienna State Opera Orchestra , Vienna Chamber Choir ,
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken by Bach , Waldemar Kmett , Vienna State Opera Orchestra , Vienna Chamber Choir , Michael Gielen ,
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren by Bach , VMargit Opawsky , ienna State Opera Orchestra , Michael Gielen , Vienna Chamber Choir ,
Partita in A Minor for Solo Flute, BWV 1013: iii. Sarabande by Bach , Paula Robison ,
Sonata in E Major for Flute and Harpsichord, BWV 1035: i. Adagio ma non tanto by Bach , Paula Robison , Kenneth Cooper , Timothy Eddy ,