Robert Tear
Robert Tear (pronounced to rhyme with "beer"), CBE (8 March 1939 – 29 March 2011) was a Welsh tenor singer, teacher and conductor. He first became known singing in the operas of Benjamin Britten in the mid-1960s. From the 1970s until his retirement in 1999 his main operatic base was the Royal Opera House, Covent Garden; he appeared with other opera companies in the UK, mainland Europe, the US and Australia. Generally avoiding the Italian repertoire, which did not suit his voice, Tear became known in leading and character roles in German, British and Russian operas.
Tear's concert repertoire was wide, extending from music from the 17th century to contemporary works by Britten, Tippett and others. He conducted for some years from the mid-1980s, but found himself temperamentally unsuited to it. As a teacher at the Royal Academy of Music he was happier, and was well regarded by colleagues and pupils.
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Cantata: Splenda l'alba in oriente, HWV 166: Aria: Splenda l'alba in oriente - Handel: Cantatas; Arias -
Robert Tear
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Cantata: Splenda l'alba in oriente, HWV 166: Recit: Tu, armonica Cecilia...Aria: La virtute è un vero nume - Handel: Cantatas; Arias -
Robert Tear
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Cantata: Carco sempre di gloria, HWV 87: Recit: Carco sempre di gloria...Aria: Sei del Ciel dono perfetto - Handel: Cantatas; Arias -
Robert Tear
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Cantata: Carco sempre di gloria: Aria: Sei cara, sei bella - Handel: Cantatas; Arias -
Robert Tear
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"Tu Fedel? Tu Costante?", HWV 171: Sonata - Handel: Cantatas; Arias -
Robert Tear
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"Tu Fedel? Tu Costante?", HWV 171: Recit: Tu fidel? Tu constante?...Aria: Cento belle ami, Fileno - Handel: Cantatas; Arias -
Robert Tear
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"Tu Fedel? Tu Costante?", HWV 171: Recit: L'occhio nero vivace...Aria: Se Licori, Filli ed io - Handel: Cantatas; Arias -
Robert Tear
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"Tu Fedel? Tu Costante?", HWV 171: Recit: Ma se non hai più d'un sol cuore...Aria: Se non ti piace - Handel: Cantatas; Arias -
Robert Tear
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"Tu Fedel? Tu Costante?", HWV 171: Recit: Ma il tuo genio...Aria: Sì crudel, ti lascierò - Handel: Cantatas; Arias -
Robert Tear
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Look Down Harmonious Saint, HWV 124: Recitative: Look Down, Look Down - Handel: Cantatas; Arias -
Robert Tear
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Look Down Harmonious Saint, HWV 124: Aria: Sweet Accents all Your Numbers Grace - Handel: Cantatas; Arias -
Robert Tear
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Meine Seele hört im Sehen, HWV 207 - Handel: Cantatas; Arias -
Robert Tear
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Süsse Stille, sanfter Quelle, HWV 205 - Handel: Cantatas; Arias -
Robert Tear
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"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 1. "Vergnügte Ruh, beliebte Seelenlust" - J.S. Bach: Six Cantatas -
Robert Tear
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"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 2. "Die Welt, das Sündenhaus" - J.S. Bach: Six Cantatas -
Robert Tear
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"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 3. "Wie jammern mich doch die verkehrten Herzen" - J.S. Bach: Six Cantatas -
Robert Tear
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"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 4. "Wer sollte sich demnach wohl hier" - J.S. Bach: Six Cantatas -
Robert Tear
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"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 5. "Mir ekelt mehr zu leben" - J.S. Bach: Six Cantatas -
Robert Tear
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Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland - J.S. Bach: Six Cantatas -
Robert Tear
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Cantata "Ich habe genug" BWV 82: 2. Recitativo: Ich habe genug! Mein Trost ist nur allein - J.S. Bach: Six Cantatas -
Robert Tear
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Cantata "Ich habe genug" BWV 82: 3. Aria: Schlummert ein, ihr matten Augen - J.S. Bach: Six Cantatas -
Robert Tear
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Cantata "Ich habe genug" BWV 82: 4. Recitativo: Mein Gott! wann kommt das schöne Nun! - J.S. Bach: Six Cantatas -
Robert Tear
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Cantata "Ich habe genug" BWV 82: 5. Aria: Ich freue mich auf meinen Tod - J.S. Bach: Six Cantatas -
Robert Tear
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"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 1. "Sehet, wir gehn hinauf gen Jerusalem" - J.S. Bach: Six Cantatas -
Robert Tear
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"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 2. "Ich folge dir nach" - J.S. Bach: Six Cantatas -
Robert Tear
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"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 3. "Nun will ich mich" - J.S. Bach: Six Cantatas -
Robert Tear
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"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 4. "Es ist vollbracht" - J.S. Bach: Six Cantatas -
Robert Tear
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"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 5. "Jesu, deine Passion" - J.S. Bach: Six Cantatas -
Robert Tear
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Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 1. Aria: "Ich will den Kreuzstab gerne tragen" - J.S. Bach: Six Cantatas -
Robert Tear
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Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 2. Recitativo: "Mein Wandel auf der Welt" - J.S. Bach: Six Cantatas -
Robert Tear
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Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 3. Aria: "Endlich, endlich wird mein Joch" - J.S. Bach: Six Cantatas -
Robert Tear
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Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 4. Recitativo: "Ich stehe fertig und bereit" - J.S. Bach: Six Cantatas -
Robert Tear
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Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 5. Choral: "Komm, o Tod, du Schlafes Bruder" - J.S. Bach: Six Cantatas -
Robert Tear
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 1. Rezitativ: Schweigt stille, plaudert nicht - J.S. Bach: Six Cantatas -
Robert Tear
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 2. Arie: Hat man nicht mit seinem Kindern - J.S. Bach: Six Cantatas -
Robert Tear
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 3. Rezitativ: Du böses Kind, du loses Mädchen - J.S. Bach: Six Cantatas -
Robert Tear
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt der Coffee süße - J.S. Bach: Six Cantatas -
Robert Tear
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 5. Rezitativ: Wenn du mir nicht den Coffee läßt - J.S. Bach: Six Cantatas -
Robert Tear
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 6. Arie: Mädchen, die von harten Sinnen - J.S. Bach: Six Cantatas -
Robert Tear
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 7. Rezitativ: Nun folge, was dein Vater spricht - J.S. Bach: Six Cantatas -
Robert Tear
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 8. Arie: Heute noch, lieber Vater, tut es doch - J.S. Bach: Six Cantatas -
Robert Tear
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 9. Rezitativ: Nun geht und sucht der alte Schlendrian - J.S. Bach: Six Cantatas -
Robert Tear
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 10. Chor (Terzett): Die Katze Läßt das Mausen nicht - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 1. Ouverture - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 2. Arie (Duetto): Mer hahn en neue Oberkeet - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 3. Rezitativ: Nu, Mieke, gib dein Guschel immer her - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 4. Arie: Ach es schmeckt doch gar zu gut - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 5. Rezitativ: Der Herr ist gut: Allein der Schösser - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 6. Arie: Ach, Herr Schösser, geht nicht gar zu schlimm - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 7. Rezitativ: Es bleibt dabei, daß unser Herr der beste sei - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 8. Arie: Unser trefflicher, lieber Kammerherr - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 9. Rezitativ: Er hilft uns allen, alt und jung - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 10. Arie: Das ist galant, es spricht niemand - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 11. Rezitativ: Und unsre gnädige Frau - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 12. Arie: Fünfzig Taler bares Geld - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 13. Rezitativ: Im Ernst ein Wort - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 14. Arie: Klein-Zshocher müsse so zart und süße - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 15. Rezitativ: Das ist zu klug vor dich - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 16. Arie: Es nehme zehntausend Dukaten - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 17. Rezitativ: Das klingt zu liederlich - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 18. Arie: Gib, Schöne, viel Söhne - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 19. Rezitativ: Du hast wohl recht - J.S. Bach: Six Cantatas -
Robert Tear
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 20. Arie: Dein Wachstum sei feste - J.S. Bach: Six Cantatas -
Robert Tear
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Alceste, Wq. 44: Overture (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act II: Parez vos fronts de fleurs nouvelles (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act I: Dieux! Rendez-nous roi, notre père (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act II: Ô Dieux! Soutenez mon courage (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act I: Ô malheureux Admète! (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act II: Bannis la erainte et les alarmes (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act I: Grands Dieux! Du destin qui m'accable (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act II: Je n'ai jamais chéri la vie (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act I: Moderato (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act II: Grands Dieux! Pour mon époux (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act I: Dieu puissant, écarté du trône (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act II: Ah! Malgré moi, mon faible chœur partage (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act I: Adagio (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act III: Nous ne pouvons trop répandre de larmes (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act I: Immortel Apollon! (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act III: Aprés de longs travaux (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act I: Apollon est sensible à vos gémissements (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act III: Au pouvoir de la mort je saurai la ravir (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act I: Oú suis-je? (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act III: Grands Dieux, soutenez mon courage! (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act I: Tes destins sont remplis (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act III: Ah! Divinités implacables! (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act I: Divinités du Styx (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act III: Ciel Adméte! Ô moment terrible! (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act II: Que les plus doux transports (1) [Live] - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act III: Alceste, au nom des Dieux! (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act II: Ballet. Légèrement (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act III: Caron t'appelle, entends sa voix (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act II: Ballet. Andante (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act III: Alceste! Le jour fuit (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act II: Ballet. Allegro (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act III: Ami, leur rage est vaine (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act II: Ballet. Lent (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act III: Poursuis, ô digne fils (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act II: Que les plus doux transports (2) [Live] - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act III: Reçois, Dieu bienfaisant (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act II: Ô mon roi! (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act III: Ô mes amis Alceste m'est rendue (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act II: Alceste! - Cher époux! (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act III: March in D Major (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act III: Andante in A Major (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Alceste, Wq. 44, Act III: Chaconne in D Major (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] -
Robert Tear
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Choral Hymns from the Rig Veda (third group, 1909-10) - translated from the Sanskrit by Gustav Holst: Hymn To The Dawn - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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Choral Hymns from the Rig Veda (third group, 1909-10) - translated from the Sanskrit by Gustav Holst: Hymn To The Waters - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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Choral Hymns from the Rig Veda (third group, 1909-10) - translated from the Sanskrit by Gustav Holst: Hymn To Vena - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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Choral Hymns from the Rig Veda (third group, 1909-10) - translated from the Sanskrit by Gustav Holst: Hymn Of The Travellers - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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Sāvitri, Op. 25: Sāvitri! Sāvitri! I am Death - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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Sāvitri, Op. 25: Like a Spectre of the Forest - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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Sāvitri, Op. 25: I am with thee - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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Sāvitri, Op. 25: Then enter, Lord; dwell with Me - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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Sāvitri, Op. 25: Loneliness and Pain are ended - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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Seven Part Songs: Say Who Is This - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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Seven Part Songs: O Love, I Complain - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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Seven Part Songs: Angel Spirits Of Sleep - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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7 Partsongs, Op. 44: When First We Met - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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Seven Part Songs: Sorrow And Joy - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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Seven Part Songs: Love On My Heart From Heaven Fell - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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Seven Part Songs: Assemble All Ye Maidens - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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The Evening Watch, Op. 43, No. 1 - Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch -
Robert Tear
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Handel: Solomon, HWV 67, Act 3: Sinfonia "The Arrival of the Queen of Sheba" - 50 Best Classics -
Robert Tear
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Mascagni: Cavalleria Rusticana: Intermezzo - 50 Best Classics -
Robert Tear
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Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest" - 50 Best Classics -
Robert Tear
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Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro - 50 Best Classics -
Robert Tear
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Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto (Excerpt) - 50 Best Classics -
Robert Tear
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Bach, JS: Wachet auf, ruft uns die Stimme, BWV 140: No. 1, Chor. "Wachet auf, ruft uns die Stimme" - 50 Best Classics -
Robert Tear
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Bach, JS: Toccata and Fugue in D Minor, BWV 565: Toccata - 50 Best Classics -
Robert Tear
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Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood - 50 Best Classics -
Robert Tear
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Allegri: Miserere (Excerpt) - 50 Best Classics -
Robert Tear
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Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: III. Rondo. Allegro vivace - 50 Best Classics -
Robert Tear
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Shostakovich / Arr. Atovmyan: The Gadfly, Suite Op. 97a: No. 8 Romance - 50 Best Classics -
Robert Tear
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Schubert: Deutsche Messe, D. 872: No. 5, Zum Sanctus - 50 Best Classics -
Robert Tear
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Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio - 50 Best Classics -
Robert Tear
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Barber: Adagio for Strings, Op. 11 - 50 Best Classics -
Robert Tear
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Franck / Arr. Sandré: Mass, Op. 12, FWV 61: Panis Angelicus - 50 Best Classics -
Robert Tear
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Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt) - 50 Best Classics -
Robert Tear
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Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt) - 50 Best Classics -
Robert Tear
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Berlioz: L'enfance du Christ, Op. 25, H. 130, Part 2: The Shepherds' Farewell - 50 Best Classics -
Robert Tear
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Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - "O Freunde, nicht diese Töne!" (Ode to Joy) [Excerpt] - 50 Best Classics -
Robert Tear
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Massenet: Thaïs, Act 2: Méditation - 50 Best Classics -
Robert Tear
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Gounod: St Cecilia Mass: IV. Sanctus - 50 Best Classics -
Robert Tear
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Grieg: Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato (Excerpt) - 50 Best Classics -
Robert Tear
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Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) - 50 Best Classics -
Robert Tear
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Fauré: Requiem, Op. 48: VII. In Paradisum - 50 Best Classics -
Robert Tear
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Sibelius: Karelia Suite, Op. 11: III. Alla marcia - 50 Best Classics -
Robert Tear
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Khachaturian: Spartacus Suite No. 2: I. Adagio of Spartacus and Phrygia - 50 Best Classics -
Robert Tear
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Mozart: Vesperae solennes de confessore, K. 339: V. Laudate Dominum - 50 Best Classics -
Robert Tear
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Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt) - 50 Best Classics -
Robert Tear
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Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) - 50 Best Classics -
Robert Tear
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Cantique De Jean Racine - 50 Best Classics -
Robert Tear
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Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito (Excerpt) - 50 Best Classics -
Robert Tear
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Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto (Excerpt) - 50 Best Classics -
Robert Tear
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Verdi: Messa da Requiem: IX. Ingemisco - 50 Best Classics -
Robert Tear
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Sibelius: Finlandia, Op. 26 - 50 Best Classics -
Robert Tear
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Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto - 50 Best Classics -
Robert Tear
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Mozart: Ave verum corpus, K. 618 - 50 Best Classics -
Robert Tear
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Verdi: Aïda, Act 2: "Gloria all'Egitto, ad Iside" (Chorus) - Triumphal March - 50 Best Classics -
Robert Tear
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Williams: Main Theme (From "Schindler's List") - 50 Best Classics -
Robert Tear
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Handel: Messiah, HWV 56, Pt. 3, Scene 1: Aria. "I Know That My Redeemer Liveth" - 50 Best Classics -
Robert Tear
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Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets (Excerpt) - 50 Best Classics -
Robert Tear
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Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 12e, Divertissement. Dance of the Reed-Flutes - 50 Best Classics -
Robert Tear
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Haydn: The Creation, Hob. XXI:2, Pt. 1: Trio and Chorus. "The Heavens Are Telling" (Chorus, Gabriel, Uriel, Raphael) - 50 Best Classics -
Robert Tear
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Strauss I, J: Radetzky-Marsch, Op. 228 - 50 Best Classics -
Robert Tear
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Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto - 50 Best Classics -
Robert Tear
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Fauré: Requiem, Op. 48 : IV. Pie Jesu - 50 Best Classics -
Robert Tear
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Elgar: Land of Hope and Glory - 50 Best Classics -
Robert Tear
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Mozart / Compl. Beyer: Requiem in D Minor, K. 626: VIII. Lacrimosa - 50 Best Classics -
Robert Tear
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Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) - 50 Best Classics -
Robert Tear
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Handel: Messiah, HWV 56, Pt. 2, Scene 7: Chorus. "Hallelujah" - 50 Best Classics -
Robert Tear
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Saint-Saëns: Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": II. (b) Maestoso - Allegro - 50 Best Classics -
Robert Tear
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