Antonín Dvořák
Antonín Leopold Dvořák ( d(ə-)VOR-zha(h)k; Czech: [ˈantoɲiːn ˈlɛopold ˈdvor̝aːk] ; 8 September 1841 – 1 May 1904) was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them."Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted a score of his First Symphony to a prize competition in Germany, but did not win, and the unreturned manuscript was lost until it was rediscovered many decades later. In 1874, he made a submission to the Austrian State Prize for Composition, including scores of two further symphonies and other works. Although Dvořák was not aware of it, Johannes Brahms was the leading member of the jury and was highly impressed. The prize was awarded to Dvořák in 1874 and again in 1876 and in 1877, when Brahms and the prominent critic Eduard Hanslick, also a member of the jury, made themselves known to him. Brahms recommended Dvořák to his publisher, Simrock, who soon afterward commissioned what became the Slavonic Dances, Op. 46. These were highly praised by the Berlin music critic Louis Ehlert in 1878, the sheet music (of the original piano 4-hands version) had excellent sales, and Dvořák's international reputation was launched at last.
Dvořák's first piece of a religious nature, his setting of Stabat Mater, was premiered in Prague in 1880. It was very successfully performed in London in 1883, leading to many other performances in the United Kingdom and United States. In his career, Dvořák made nine invited visits to England, often conducting performances of his own works. His Seventh Symphony was written for London. Visiting Russia in March 1890, he conducted concerts of his own music in Moscow and Saint Petersburg. In 1891, Dvořák was appointed as a professor at the Prague Conservatory. In 1890–91, he wrote his Dumky Trio, one of his most successful chamber music pieces.
In 1892, Dvořák moved to the United States and became the director of the National Conservatory of Music of America in New York City. The President of the National Conservatory of Music in America, Jeannette Thurber, offered Dvořák an annual salary of $15,000 – an incredibly lavish sum for the era (equivalent to $488,556 in 2022), twenty-five times what he was paid at the Prague Conservatory. While in the United States, Dvořák wrote his two most successful orchestral works: the Symphony From the New World, which spread his reputation worldwide, and his Cello Concerto, one of the most highly regarded of all cello concerti.
In the summer of 1893, Dvořák moved from New York City to Spillville, Iowa, following the advice of his secretary, J.J. Kovarík. Dvořák had originally planned to come back to Bohemia, but Spillville was made up of mostly Czech immigrants, and thus he felt less homesick; Dvořák referred to it as his "summer Vysoka." This is where he wrote his most famous piece of chamber music, his String Quartet in F major, Op. 96, which was later nicknamed the American Quartet. Shortly after his time in Iowa, Dvořák extended his contract at the National Conservatory for another two years. However, the economic crisis of April 1893 resulted in Thurber's husband's loss of income, and directly influenced the National Conservatory's funding. Shortfalls in payment of his salary, along with increasing recognition in Europe and an onset of homesickness, led him to leave the United States and return to Bohemia in 1895.
All of Dvořák's nine operas, except his first, have librettos in Czech and were intended to convey the Czech national spirit, as were some of his choral works. By far the most successful of the operas is Rusalka. Among his smaller works, the seventh Humoresque and the song "Songs My Mother Taught Me" are also widely performed and recorded. He has been described as "arguably the most versatile... composer of his time".The Dvořák Prague International Music Festival is a major series of concerts held annually to celebrate Dvořák's life and works.
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13 Pieces for Piano, Op. 76: Elegiaco, No. 10 - "Music for a While" - Relaxing Melodies -
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Ich ruf zu dir, Herr Jesu Christ, No. 5, BWV 639 - "Music for a While" - Relaxing Melodies -
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Gnossienne No. 3 - "Music for a While" - Relaxing Melodies -
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Variations on an Original Theme, Op. 36 "Enigma": Var. IX. (Nimrod). Adagio - "Music for a While" - Relaxing Melodies -
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Nana - "Music for a While" - Relaxing Melodies -
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Suite in B-Flat Major, HWV 434: IV. Menuet (Arr. for Guitar by Michael Lewin) - "Music for a While" - Relaxing Melodies -
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Kinderszenen, Op. 15: VII. Träumerei - "Music for a While" - Relaxing Melodies -
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Wiegenlied, S. 198 - "Music for a While" - Relaxing Melodies -
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La Valse d'Amélie - "Music for a While" - Relaxing Melodies -
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Fantasiestücke, Op. 12: 1. Des Abends - "Music for a While" - Relaxing Melodies -
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Ma mère l'oye, M. 62: III. Pavane de la belle au bois dormant - "Music for a While" - Relaxing Melodies -
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Music for a While (from Oedipus, Z. 583) - "Music for a While" - Relaxing Melodies -
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Polovetsian Dances from Prince Igor: Introduzione - "Music for a While" - Relaxing Melodies -
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Pictures at an Exhibition: II. Il vecchio castello - "Music for a While" - Relaxing Melodies -
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Poetic Tone Pictures, Op.85: III. In the Old Castle - "Music for a While" - Relaxing Melodies -
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Sonata in F Minor, K. 466 (Arr. for Guitar by Michael Lewin) - "Music for a While" - Relaxing Melodies -
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Zdes' khorosho, Op. 21, No. 7 - "Music for a While" - Relaxing Melodies -
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Lyric Pieces, Book III, Op.47: 3. Melody - Live - "Music for a While" - Relaxing Melodies -
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3 Gymnopédies: No. 1, Lent et douloureux - "Music for a While" - Relaxing Melodies -
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Rêverie, L. 68 - "Music for a While" - Relaxing Melodies -
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Peace Piece - "Music for a While" - Relaxing Melodies -
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Cavalleria rusticana: Act I: Intermezzo sinfonico - "Music for a While" - Relaxing Melodies -
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6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 - "Music for a While" - Relaxing Melodies -
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Song Without Words, Op. 109 - "Music for a While" - Relaxing Melodies -
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La fille aux cheveux de lin - "Music for a While" - Relaxing Melodies -
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Sonata in D Minor, K. 32 (Arr. for Guitar by Michael Lewin) - "Music for a While" - Relaxing Melodies -
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Carnival of the Animals, R. 125: The Swan - "Music for a While" - Relaxing Melodies -
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Rapsodie espagnole, M. 54: I. Prélude à la nuit - "Music for a While" - Relaxing Melodies -
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Sicilienne, Op. 78 - "Music for a While" - Relaxing Melodies -
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Tomorrow's Song - "Music for a While" - Relaxing Melodies -
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Lieder ohne Worte, Op. 19b: No. 1 in E Major. Andante con moto, MWV U 86 - "Music for a While" - Relaxing Melodies -
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Ave verum corpus, K.618 (Arr. for Piano by Franz Liszt) - "Music for a While" - Relaxing Melodies -
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Nostalgie du pays, extrait des Miniatures polonaises - "Music for a While" - Relaxing Melodies -
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Written on the Sky - "Music for a While" - Relaxing Melodies -
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5 Stücke im Volkston, Op. 102: II. Langsam - "Music for a While" - Relaxing Melodies -
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Trio Sonata in C Major, RV 82: II. Larghetto (Arr. for Guitar by Michael Lewin & James Halliday ) - "Music for a While" - Relaxing Melodies -
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Suite Bergamasque, L. 75: III. Clair de lune - "Music for a While" - Relaxing Melodies -
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Grain Moon - "Music for a While" - Relaxing Melodies -
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Sinfonia for Strings and Basso Continuo in C Major (From "Il Giustino RV 717"): II. Andante - "Music for a While" - Relaxing Melodies -
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6 Impromptus, Op. 5: Impromptu VI - "Music for a While" - Relaxing Melodies -
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Orchestral Suite No. 3 in D Major, BWV 1068: II. Air - "Music for a While" - Relaxing Melodies -
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Prélude in D-Flat Major, Op. 28, No. 15 "Raindrop" - "Music for a While" - Relaxing Melodies -
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Milonga - "Music for a While" - Relaxing Melodies -
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Consolation No. 3 in D-Flat Major, S. 172 - "Music for a While" - Relaxing Melodies -
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Les Barricades Mystérieuses - "Music for a While" - Relaxing Melodies -
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Zoroastre, RCT 62, Act I, Scène III: Air tendre en rendeau - "Music for a While" - Relaxing Melodies -
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Keyboard Concerto in F Minor, BWV 1056: Keyboard Concerto in F Minor, BWV 1056: II. Largo - "Music for a While" - Relaxing Melodies -
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Abendlied, Op. 85, No. 12 - "Music for a While" - Relaxing Melodies -
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Berceuse - "Music for a While" - Relaxing Melodies -
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Purcell: Dido and Aeneas, Z. 626: When I am laid in earth (Dido's Lament) - "Music for a While" - Relaxing Melodies -
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Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 12a, Divertissement. Chocolate, Spanish Dance - The Roaring Seventies -
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Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 12c, Divertissement. Tea, Chinese Dance - The Roaring Seventies -
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Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 12d, Divertissement. Trepak, Russian Dance - The Roaring Seventies -
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Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 12e, Divertissement. Dance of the Reed-Flutes - The Roaring Seventies -
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Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro - The Roaring Seventies -
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Satie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et grave - The Roaring Seventies -
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Orff: Carmina Burana, Introduction "Fortuna Imperatrix Mundi": O Fortuna - The Roaring Seventies -
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Orff: Carmina Burana, Pt. 1 "Uf dem Anger": Tanz - The Roaring Seventies -
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Orff: Carmina Burana, Pt. 2 "In taberna": Estuans interius - The Roaring Seventies -
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Shostakovich: Symphony No. 14 in G Minor, Op. 135: II. Malagueña - The Roaring Seventies -
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Mussorgsky: Pictures at an Exhibition: Promenade I (Orch. Ravel, M. A 24) - The Roaring Seventies -
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Mussorgsky: Pictures at an Exhibition: Il. Il vecchio castello (Orch. Ravel, M. A 24) - The Roaring Seventies -
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Mussorgsky: Pictures at an Exhibition: III. Tuileries (Orch. Ravel, M. A 24) - The Roaring Seventies -
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Mussorgsky: Pictures at an Exhibition: V. Ballet of the Unhatched Chicks (Orch. Ravel, M. A 24) - The Roaring Seventies -
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Mussorgsky: Pictures at an Exhibition: VII. Limoges, le marché (Orch. Ravel, M. A 24) - The Roaring Seventies -
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Mussorgsky: Pictures at an Exhibition: X. The Hut on Fowl's Legs "Baba Yaga" (Orch. Ravel, M. A 24) - The Roaring Seventies -
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Mussorgsky / Orch. Ravel: Pictures at an Exhibition: XI. The Knight's Gate in the Old Capital of Kiev - The Roaring Seventies -
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Prologue - The Highest Point - The Roaring Seventies -
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Lost Love - The Roaring Seventies -
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Haydn: Symphony No. 88 in G Major, Hob. I:88: IV. Finale. Allegro con spirito - The Roaring Seventies -
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Barber: Adagio for Strings - The Roaring Seventies -
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Bernstein: Wonderful Town, Act 1: Overture - The Roaring Seventies -
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Szymanowski: Songs of a Fairy-Tale Princess, Op. 31: No. 2, The Nightingale - The Roaring Seventies -
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Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Eath": Introduction - The Roaring Seventies -
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Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Eath": Augurs of Spring - The Roaring Seventies -
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Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Eath": Dances of the Young Girls - The Roaring Seventies -
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Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Eath": Ritual of Abduction - The Roaring Seventies -
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Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Eath": Spring Rounds - The Roaring Seventies -
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Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Glorification of the Chosen One - The Roaring Seventies -
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Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Sacrificial Dance - The Roaring Seventies -
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Mozart: Così fan tutte, K. 588: Ouvertura - The Roaring Seventies -
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Bizet: Carmen, WD 31: Prélude - The Roaring Seventies -
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Bizet: Carmen, WD 31, Act 1: Habanera. "L'amour est un oiseau rebelle" (Carmen, Chœur) - The Roaring Seventies -
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Bizet: Carmen, WD 31, Act 1: Séguedille. "Près des remparts de Séville" (Carmen, Don José) - The Roaring Seventies -
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Bizet: Carmen, WD 31, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) - The Roaring Seventies -
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Bizet: Carmen, WD 31, Act 2: "Votre toast, je peux vous le rendre" - "Toréador, en garde !" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga) - The Roaring Seventies -
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Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara, Chorus) - The Roaring Seventies -
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Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: III. Moderato - The Roaring Seventies -
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Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto - The Roaring Seventies -
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Schoenberg: Gurre-Lieder, Pt. 1: Introduktion. Mässig bewegt - The Roaring Seventies -
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Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Presto - The Roaring Seventies -
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Berg: Lulu Suite: II. Ostinato (Allegro) - The Roaring Seventies -
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Mahler: Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenen Schritt. Streng. Wie ein Kondukt - The Roaring Seventies -
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Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam - The Roaring Seventies -
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Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio - The Roaring Seventies -
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Beethoven: Fidelio, Op. 72: Overture - The Roaring Seventies -
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Beethoven: Fidelio, Op. 72, Act 1: "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) - The Roaring Seventies -
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Messiaen: Éclairs sur l'au-delà...: VI. Les sept anges aux sept trompettes - The Roaring Seventies -
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Messiaen: Éclairs sur l'au-delà...: X. Le chemin de l'invisible - The Roaring Seventies -
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Dvořák: The Water Goblin, Op. 107, B. 195: II. Andante mesto come prima - The Roaring Seventies -
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Elgar: Variations on an Original Theme, Op. 36 "Enigma": Theme - Glorious John Barbirolli -
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation III. Con moto - Glorious John Barbirolli -
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Strauss II, J & Josef: Pizzicato-Polka - Glorious John Barbirolli -
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Mahler: Rückert Lieder: No. 2, Ich atmet' einen linden Duft! - Glorious John Barbirolli -
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Benjamin & Cimarosa: Oboe Concerto in C Minor: I. Introduzione. Larghetto - Glorious John Barbirolli -
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Handel / Arr. Hoffmann: Suite from Serse, HWV 40: II. Largo. "Ombra mai fù" - Glorious John Barbirolli -
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Thema. Chorale St. Antoni - Glorious John Barbirolli -
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Strauss, Johann I / Arr. Jacob : Radetzky-Marsch, Op. 228 - Glorious John Barbirolli -
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Elgar: Introduction and Allegro, Op. 47: I. Moderato - Glorious John Barbirolli -
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Vaughan Williams: Symphony No. 8 in D Minor: II. Scherzo alla marcia, per gli stromenti a vento - Glorious John Barbirolli -
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Tchaikovsky: Serenade for Strings in C Major, Op. 48: II. Valse. Moderato - Glorious John Barbirolli -
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Grieg: Suite No. 1 from Peer Gynt, Op. 46: I. Morning Mood - Glorious John Barbirolli -
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Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" - Glorious John Barbirolli -
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Dvorak: Serenade for Wind Instruments in D Minor, Op. 44, B. 77: I. Moderato, quasi marcia - Glorious John Barbirolli -
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Rubbra: Improvisations on Virginal Pieces by Giles Farnaby, Op. 50: No. 4, Loth to depart - Glorious John Barbirolli -
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Franck: Symphonic Variations for Piano and Orchestra, FWV 46: IV. Allegro non troppo - Glorious John Barbirolli -
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Vaughan Williams / Orch. Greaves: Fantasia on Greensleeves - Glorious John Barbirolli -
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Puccini: Madama Butterfly, Act II: "Un bel dì vedremo" (Butterfly) - Glorious John Barbirolli -
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Berlioz: La Damnation de Faust, Op. 24, H 111: Marche hongroise - Glorious John Barbirolli -
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Marcello: Oboe Concerto in D Minor: II. Adagio (Performed in C Minor) - Glorious John Barbirolli -
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Grieg: Piano Concerto in A Minor, Op. 16: II. Adagio - Glorious John Barbirolli -
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Mahler: Kindertotenlieder: No. 2, Nun seh' ich wohl, warum so dunkle Flammen - Glorious John Barbirolli -
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Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste - Glorious John Barbirolli -
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Glazunov: Violin Concerto in A Minor, Op. 82: IV. Animando - Glorious John Barbirolli -
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Delius: Irmelin Prelude - Glorious John Barbirolli -
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Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro - Cadenza - Glorious John Barbirolli -
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Chabrier: España - Glorious John Barbirolli -
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Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto - Glorious John Barbirolli -
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Elgar: Pomp and Circumstance Marches, Op. 39: No. 1 in D Major - Glorious John Barbirolli -
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Debussy: La Mer, CD 111, L. 109: II. Jeu de vagues - Glorious John Barbirolli -
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Waldteufel: Les patineurs, Op. 183 - Glorious John Barbirolli -
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Debussy: Nocturnes, CD 98, L. 91: No. 2, Fêtes - Glorious John Barbirolli -
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Strauss, Johann II: Die Fledermaus: Overture - Glorious John Barbirolli -
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Wieniawski: Violin Concerto No. 2 in D Minor, Op. 22: I. Allegro moderato - Glorious John Barbirolli -
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Verdi: La forza del destino: Overture - Glorious John Barbirolli -
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Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato - Glorious John Barbirolli -
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Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio - Glorious John Barbirolli -
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Debussy: Prélude à l’après-midi d’un faune, CD 87, L. 86 - Glorious John Barbirolli -
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Chopin: Piano Concerto No. 1 in E Minor, Op. 11: II. Romanza. Larghetto - Glorious John Barbirolli -
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J. Strauss II: An der schönen blauen Donau, Op. 314 - Glorious John Barbirolli -
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Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam - Glorious John Barbirolli -
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Schumann: Cello Concerto in A Minor, Op. 129: I. Nicht zu schnell - Glorious John Barbirolli -
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Elgar: Cello Concerto in E Minor, Op. 85: IV. Allegro - Moderato - Allegro ma non troppo - Glorious John Barbirolli -
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Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 13, Waltz of the Flowers - The Prodigy Conductor -
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Barber: Adagio for Strings - The Prodigy Conductor -
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Mussorgsky: Pictures at an Exhibition: Promenade I (Orch. Ravel, M. A 24) - The Prodigy Conductor -
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Lost Love - The Prodigy Conductor -
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Prologue - The Highest Point - The Prodigy Conductor -
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Orff: Carmina Burana, Introduction "Fortuna Imperatrix Mundi": O Fortuna - The Prodigy Conductor -
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Tchaikovsky: The Nutcracker, Op. 71, Act 1: No. 2, March - The Prodigy Conductor -
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Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara, Chorus) - The Prodigy Conductor -
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Satie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et grave - The Prodigy Conductor -
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Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 12e, Divertissement. Dance of the Reed-Flutes - The Prodigy Conductor -
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Debussy: Le Roi Lear, CD 116, L. 107: II. Le sommeil de Lear - The Prodigy Conductor -
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Bizet: Carmen, WD 31: Prélude - The Prodigy Conductor -
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Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro - The Prodigy Conductor -
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Mozart: Così fan tutte, K. 588: Ouvertura - The Prodigy Conductor -
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Meeting Laura - The Prodigy Conductor -
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Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod - The Prodigy Conductor -
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Bizet: Carmen, WD 31, Act 1: Habanera. "L'amour est un oiseau rebelle" (Carmen, Chœur) - The Prodigy Conductor -
Antonín Dvořák
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Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto (Excerpt) - The Prodigy Conductor -
Antonín Dvořák
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Britten: 4 Chansons françaises: No. 3, L'enfance - The Prodigy Conductor -
Antonín Dvořák
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Bizet: Carmen, WD 31, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) - The Prodigy Conductor -
Antonín Dvořák
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Stravinsky: L'Oiseau de feu, Tableau I: Danse infernale de tous les sujets de Kachtcheï - The Prodigy Conductor -
Antonín Dvořák
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Mussorgsky: Pictures at an Exhibition: Il. Il vecchio castello (Orch. Ravel, M. A 24) - The Prodigy Conductor -
Antonín Dvořák
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Gershwin / Orch. Grofé: Rhapsody in Blue (Opening) - The Prodigy Conductor -
Antonín Dvořák
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Rodrigo: Concierto de Aranjuez: II. Adagio (Excerpt) - The Prodigy Conductor -
Antonín Dvořák
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Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz!" - The Prodigy Conductor -
Antonín Dvořák
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Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt) - The Prodigy Conductor -
Antonín Dvořák
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Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 14a, Pas de deux. Andante maestoso - The Prodigy Conductor -
Antonín Dvořák
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Sibelius: 2 Pieces from Kuolema, Op. 44: No. 2, Scene with Cranes - The Prodigy Conductor -
Antonín Dvořák
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Ravel / Orch. Grainger: Miroirs, M. 43: V. La vallée des cloches - The Prodigy Conductor -
Antonín Dvořák
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Mussorgsky / Orch. Ravel: Pictures at an Exhibition: XI. The Knight's Gate in the Old Capital of Kiev - The Prodigy Conductor -
Antonín Dvořák
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Debussy: La Mer, CD 111, L. 109: II. Jeux de vagues - The Prodigy Conductor -
Antonín Dvořák
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Dvořák: The Water Goblin, Op. 107, B. 195: I. Allegro vivo - The Prodigy Conductor -
Antonín Dvořák
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Debussy: Images pour orchestre, CD 118, L. 122, Pt. 2 "Iberia": No. 1, Par les rues et par les chemins - The Prodigy Conductor -
Antonín Dvořák
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Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio - The Prodigy Conductor -
Antonín Dvořák
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Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction - The Prodigy Conductor -
Antonín Dvořák
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Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto - The Prodigy Conductor -
Antonín Dvořák
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Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 - The Prodigy Conductor -
Antonín Dvořák
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Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Presto - The Prodigy Conductor -
Antonín Dvořák
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Borodin: Prince Igor, Act 2: Polovtsian Dances (Instrumental Version) - The Prodigy Conductor -
Antonín Dvořák
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Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale. Allegro molto - The Prodigy Conductor -
Antonín Dvořák
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Ravel: Boléro, M. 81 - The Prodigy Conductor -
Antonín Dvořák
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Ravel: Boléro, M. 81: Pt. 1 - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Boléro, M. 81: Pt. 2 - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Boléro, M. 81: Pt. 3 - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Boléro, M. 81: Pt. 4 - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Boléro, M. 81: Pt. 5 - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Boléro, M. 81: Pt. 6 - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Boléro, M. 81: Pt. 7 - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Boléro, M. 81: Pt. 8 - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Boléro, M. 81: Pt. 9 - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Boléro, M. 81: Pt. 10 - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Ma mère l'Oye, M. 60: II. Petit Poucet - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Ma mère l'Oye, M. 60: III. Laideronnette, impératrice des pagodes - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Ma mère l'Oye, M. 60: IV. Les entretiens de la Belle et de la Bête - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Ma mère l'Oye, M. 60: V. Le jardin féerique - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Beethoven: Triple Concerto in C Major, Op. 56: II. Largo - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Fauré: Masques et bergamasques, Op. 112: I. Ouverture. Allegro molto vivo - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Fauré: Masques et bergamasques, Op. 112: II. Menuet. Tempo di minuetto, allegro moderato - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Fauré: Masques et bergamasques, Op. 112: III. Gavotte. Allegro vivo - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Fauré: Masques et bergamasques, Op. 112: IV. Pastorale. Andantino tranquillo - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Tchaikovsky: Variations on a Rococo Theme, Op. 33: Moderato assai quasi andante - Thema. Moderato semplice - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation I. Tempo della thema - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation II. Tempo della thema - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation III. Andante sostenuto - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation IV. Andante grazioso - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation V. Allegro moderato - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VI. Andante - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VII e Coda. Allegro vivo - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Wagner: Parsifal, Act 1: Transformation Music - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: I. Folk Dance - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: II. Scene - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: III. Madrigal - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: IV. Minuet - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Haydn: The Seven Last Words, Hob. XX/1A: Il terremoto. Presto e con tutta la forza - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Mozart: Piano Concerto No. 12 in A Major, K. 414: III. Allegretto - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Le tombeau de Couperin, M. 68: I. Prélude - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Le tombeau de Couperin, M. 68: II. Forlane - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Le tombeau de Couperin, M. 68: III. Menuet - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Ravel: Le tombeau de Couperin, M. 68: IV. Rigaudon - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: III. Rondo all'ungarese. Allegro assai - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 1a, Vorspiel. Die Vorstellung des Chaos - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 1b, Rezitative und Chor. "Am Anfange schuf Gott Himmel und Erde" - "Und der Geist Gottes schwebte" - "Und Gott sah das Licht" (Raphael, Chorus, Uri - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 2, Arie mit Chor. "Nun schwanden vor dem heiligen Strahle" - "Verzweiflung, Wut und Schrecken" (Uriel, Chorus) - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 3, Rezitativ. "Und Gott machte das Firmament" (Raphael) - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 4, Solo mit Chor. "Mit Staunen sieht das Wunderwerk" (Gabriel, Chorus) - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 5, Rezitativ. "Und Gott sprach, es sammle sich" (Raphael) - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 6, Arie. "Rollend in schäumenden Wellen" (Raphael) - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 7, Rezitativ. "Und Gott sprach, es bringe die Erde" (Gabriel) - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 8, Arie. "Nun beut die Flur das frische Grün" (Gabriel) - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 9, Rezitativ. "Und die himmlischen Heerscharen" (Uriel) - Boléro - From Ravel to Fauré and Chabrier -
Antonín Dvořák
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