Jos Van Immerseel
Jos Van Immerseel (born 9 November 1945) is a Belgian harpsichordist, pianist and conductor.
Van Immerseel studied organ, piano and harpsichord at the Antwerp Conservatory under Flor Peeters, Eugène Traey and harpsichordist and musicologist Kenneth Gilbert. He created the Collegium Musicum there, developing his interest in Renaissance and Baroque music, later expanding his activities to include the Classical and early Romantic eras. He is now in demand as a fortepianist in concert halls across Europe, where he is known for his refined sensitivity to the rhetorical aspects of music and for his skills in improvisation. (His cadenzas were singled out in reviews of his Beethoven concerto recordings.) Over the years, he has acquired a unique collection of period keyboard instruments, which travel with him for concerts and CD recordings.
In 1977, he attracted international attention when he conducted Monteverdi's L'Orfeo in the former Royal Flemish Opera House in Antwerp. This series of 18 performances established a new standard which remains to this day.
From 1980 to 1985, he was the artistic director of the Sweelinck Conservatory of Amsterdam.
In 1987 Van Immerseel established the "period instrument" ensemble Anima Eterna, which he continues to lead. This ensemble has become well-known and achieved a world-wide reputation particularly for the CD series of Mozart's complete piano concerti (with van Immerseel as soloist and conductor).
During 1999 they toured Europe with performances of Beethoven symphonies.
In addition to his concertising, Van Immerseel is professor at the Antwerp Conservatory, where he uses historical instruments from the nearby Vleeshuis Museum to give masterclasses. He has also taught at the Sweelinck Conservatorium in Amsterdam and the Conservatoire National Supérieur in Paris, as well as given masterclasses at festivals in La Roque-d'Anthéron, Utrecht, Sopron and Ancona.
Van Immerseel appears on Sony Classical's Vivarte imprint as a solo performer, as a soloist with Tafelmusik and as a participant in chamber music. Among his partners were: Midori Seiler (violin), Claire Chevallier (piano duo), Lisa Shklyaver (clarinet), Thomas Bauer (baritone), Yeree Suh (soprano), and Chouchane Siranossian (violin).
Since winning first prize at the inaugural Paris International Harpsichord Competition in 1973, Jos Van Immerseel has established an international career as a fortepianist and conductor specializing in music of the Baroque and Classical eras. Accomplished on the organ and piano as well as harpsichord and fortepiano, Van Immerseel has in particular gained a reputation for his performances of Mozart, Beethoven and Schubert on Sony Classical. Most recently he has appeared on Vivarte with Anner Bylsma in performances of Beethoven's complete cello sonatas (S2K 60761) and with L'Archibudelli in performances of Schubert's Trout Quintet and Arpeggione Sonata (SK 63361). His cycle of Beethoven Piano concertos with Tafelmusik and Bruno Weil (Nos. 1 and 2: SK 68250; Nos. 3 and 4: SK 62824; No. 5: SK 63365) elicited praise for his stylistic sensitivity and his musical sensibility. His recording of Mozart's late piano works, Mozart: The Vienna Years (S2K 62879), prompted Classic CD to write that Van Immerseel is "among the most winning and authoritative champions of the fortepiano".
Since 2002 he has been artistic director of the Collection Anima Eterna for the Parisian label Zig-Zag Territories.
In 2010, the city of Bremen awarded him the Prize of the Musikfest Bremen for his career.
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Pièces de clavecin, Livre premier: Pièces de clavecin, Livre premier: I. Prélude - Le clavecin à Paris au XVIIIe siècle -
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Nouvelles suites de pièces de clavecin, Suite in A minor, RCT 5: Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: I. Allemande - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre 3: La de Belombre - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre premier: II. Allemande - Le clavecin à Paris au XVIIIe siècle -
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Nouvelles suites de pièces de clavecin, Suite in A minor, RCT 5: Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: III. Sarabande - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre 3: La Forqueray - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre premier: III. Courante - Le clavecin à Paris au XVIIIe siècle -
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Nouvelles suites de pièces de clavecin, Suite in G major, RCT 6: Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: VII. Les Sauvages - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre 3: Chaconne - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre premier: IV. Sarabande - Le clavecin à Paris au XVIIIe siècle -
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Nouvelles suites de pièces de clavecin, Suite in G major, RCT 6: Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: VIII. L'Enharmonique - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre 4: La Pothoüin - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre premier: V. Gigue - Le clavecin à Paris au XVIIIe siècle -
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Nouvelles suites de pièces de clavecin, Suite in G major, RCT 6: Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: IX. L'Egyptienne - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre 4: La de Drummond - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre premier: VI. Chaconne - Le clavecin à Paris au XVIIIe siècle -
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Pièces de viole, Suite No.1 in D minor: Pièces de viole, Suite No.1 in D Minor: No. 1, La La Borde - Allemande - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin: La De Caze - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre 1, Premier Ordre en sol: I. Allemande "L'Auguste" - Le clavecin à Paris au XVIIIe siècle -
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Pièces de viole, Suite No.1 in D minor: Pièces de viole, Suite No.1 in D Minor: No. 3, La Cottin - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin: La Lugeac - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre 1, Premier Ordre en sol: II. Courante - Le clavecin à Paris au XVIIIe siècle -
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Pièces de viole, Suite No.1 in D minor: Pièces de viole, Suite No.1 in D Minor: No. 4, La Bellmont - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin: La D’Héricourt - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre 1, Premier Ordre en sol: III. Sarabande "La Majestueuse" - Le clavecin à Paris au XVIIIe siècle -
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Pièces de viole, Suite No.1 in D minor: Pièces de viole, Suite No.1 in D Minor: No. 5, La Portugaise - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin: La Castelmore - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre 1, Premier Ordre en sol: IV. Gigue "La Milordine" - Le clavecin à Paris au XVIIIe siècle -
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Pièces de viole, Suite No.1 in D minor: Pièces de viole, Suite No.1 in D Minor: No. 6, La Couperin - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin: La Malesherbe - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre 1, Premier Ordre en sol: V. Les Silvains - Le clavecin à Paris au XVIIIe siècle -
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Pièces de viole, Suite No.5 in C minor: Pièces de viole, Suite No.5 in C Minor: No. 1, La Rameau - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin: Air gay - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre 1, Troisième Ordre en do: I. La Ténébreuse Allemande - Le clavecin à Paris au XVIIIe siècle -
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Pièces de viole, Suite No.5 in C minor: Pièces de viole, Suite No.5 in C Minor: No. 2, La Guignon - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Op. 1: L'Arlequine - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre 1, Troisième Ordre en do: II. La Favorite Chaconne à deux tems - Le clavecin à Paris au XVIIIe siècle -
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Pièces de viole, Suite No.5 in C minor: Pièces de viole, Suite No.5 in C Minor: No. 4, La Boisson - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Op. 1: L'Affligée - Le clavecin à Paris au XVIIIe siècle -
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Pièces de clavecin, Livre 1, Troisième Ordre en do: III. La Lutine - Le clavecin à Paris au XVIIIe siècle -
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Pièces de viole, Suite No.5 in C minor: Pièces de viole, Suite No.5 in C Minor: No. 6, La Sylva - Le clavecin à Paris au XVIIIe siècle -
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Pièces de viole, Suite No.5 in C minor: Pièces de viole, Suite No.5 in C Minor: No. 7, Jupiter - Le clavecin à Paris au XVIIIe siècle -
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Piano Sonata No. 5 in C Minor, Op. 10 No. 1: I. Allegro molto e con brio - Piano Works of the Young Beethoven -
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Piano Sonata No. 9 in E Major, Op. 14 No. 1: I. Allegro - Piano Works of the Young Beethoven -
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Piano Sonata No. 15 in D Major, Op. 28 "Pastoral": I. Allegro - Piano Works of the Young Beethoven -
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Piano Sonata No. 5 in C Minor, Op. 10 No. 1: II. Adagio molto - Piano Works of the Young Beethoven -
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Piano Sonata No. 9 in E Major, Op. 14 No. 1: II. Allegretto - Piano Works of the Young Beethoven -
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Piano Sonata No. 15 in D Major, Op. 28 "Pastoral": II. Andante - Piano Works of the Young Beethoven -
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Piano Sonata No. 5 in C Minor, Op. 10 No. 1: Prestissimo - Piano Works of the Young Beethoven -
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Piano Sonata No. 9 in E Major, Op. 14 No. 1: III. Rondo (Allegro comodo) - Piano Works of the Young Beethoven -
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Piano Sonata No. 15 in D Major, Op. 28 "Pastoral": III. Scherzo (Allegro vivace) - Piano Works of the Young Beethoven -
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Piano Sonata No. 7 in D Major, Op. 10 No. 3: I. Presto - Piano Works of the Young Beethoven -
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Piano Sonata No. 10 in G Major, Op. 14 No. 2: I. Allegro - Piano Works of the Young Beethoven -
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Piano Sonata No. 15 in D Major, Op. 28 "Pastoral": IV. Rondo (Allegro ma non troppo) - Piano Works of the Young Beethoven -
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Piano Sonata No. 7 in D Major, Op. 10 No. 3: II. Largo e mesto - Piano Works of the Young Beethoven -
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Piano Sonata No. 10 in G Major, Op. 14 No. 2: II. Andante - Piano Works of the Young Beethoven -
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Two Rondos, Op. 51: II. Andante cantabile e grazioso in G Major - Piano Works of the Young Beethoven -
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Piano Sonata No. 7 in D Major, Op. 10 No. 3: III. Menuetto (Allegro) - Piano Works of the Young Beethoven -
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Piano Sonata No. 10 in G Major, Op. 14 No. 2: III. Scherzo (Allegro assai) - Piano Works of the Young Beethoven -
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Piano Sonata No. 18 in E-Flat Major, Op. 31 No. 3: I. Allegro - Piano Works of the Young Beethoven -
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Piano Sonata No. 7 in D Major, Op. 10 No. 3: IV. Rondo (Allegro) - Piano Works of the Young Beethoven -
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Piano Sonata No. 12 in A-Flat Major, Op. 26 "Funeral March": Marcia funebre sulla morte d'un eroe (Maestoso andante) - Piano Works of the Young Beethoven -
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Piano Sonata No. 18 in E-Flat Major, Op. 31 No. 3: II. Scherzo (Allegro vivace) - Piano Works of the Young Beethoven -
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Alla ingharese in G Major, Op. 129 - Piano Works of the Young Beethoven -
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Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto - Piano Works of the Young Beethoven -
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Piano Sonata No. 18 in E-Flat Major, Op. 31 No. 3: III. Menuetto (Moderato e grazioso) - Piano Works of the Young Beethoven -
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Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": I. Grave (Allegro di molto e con brio) - Piano Works of the Young Beethoven -
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Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": II. Allegretto - Piano Works of the Young Beethoven -
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Piano Sonata No. 18 in E-Flat Major, Op. 31 No. 3: IV. Presto con fuoco - Piano Works of the Young Beethoven -
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Andante in F Major, WoO 57 - Piano Works of the Young Beethoven -
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Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile - Piano Works of the Young Beethoven -
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Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": III. Presto agitato - Piano Works of the Young Beethoven -
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Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": III. Rondo (Allegro) - Piano Works of the Young Beethoven -
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Gershwin
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Sonata No. 12 in D Minor, Op. 6: I. Adagio - L'ange et le diable -
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Sonata No. 12 in D Minor, Op. 6: II. Allegro - L'ange et le diable -
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Sonata No. 12 in D Minor, Op. 6: III. Andante - L'ange et le diable -
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Sonata No. 12 in D Minor, Op. 6: IV. Allegro - L'ange et le diable -
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Sonata No. 12 in D Minor, Op. 6: V. Capriccio - L'ange et le diable -
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Sonata No. 8 in C Major, Op. 9: I. Andante ma non troppo - L'ange et le diable -
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Sonata No. 8 in C Major, Op. 9: II. Allegro assai - L'ange et le diable -
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Sonata No. 8 in C Major, Op. 9: III. Andante - L'ange et le diable -
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Sonata No. 8 in C Major, Op. 9: IV. Tempo di ciaccona - L'ange et le diable -
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Suite No. 5 in C Minor: La Rameau - L'ange et le diable -
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Suite No. 5 in C Minor: La Guignon - L'ange et le diable -
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Suite No. 5 in C Minor: La Léon, Sarabande - L'ange et le diable -
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Suite No. 5 in C Minor: La Boisson - L'ange et le diable -
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Violin Sonata in G Minor, B.g5 "Il trillo del Diavolo": I. Larghetto affettuoso - L'ange et le diable -
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Violin Sonata in G Minor, B.g5 "Il trillo del Diavolo": II. Allegro (Tempo giusto) - L'ange et le diable -
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Violin Sonata in G Minor, B.g5 "Il trillo del Diavolo": III. Andante - Allegro - L'ange et le diable -
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Ständchen, D. 920 - Schubertiade: Du holde Kunst, ich danke dir -
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Nachtgesang im Walde, D. 913 - Schubertiade: Du holde Kunst, ich danke dir -
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Fantasie in F Minor, Op. 103, D. 940 - Schubertiade: Du holde Kunst, ich danke dir -
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Der Hirt auf dem Felsen, D. 965 - Schubertiade: Du holde Kunst, ich danke dir -
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Der Gondelfahrer in C Major, Op. 28, D. 809 - Schubertiade: Du holde Kunst, ich danke dir -
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Auf der Bruck in G Major, D. 853 - Schubertiade: Du holde Kunst, ich danke dir -
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Ganymed, Op. 19/3, D. 544 - Schubertiade: Du holde Kunst, ich danke dir -
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Der Wanderer, D. 489 - Schubertiade: Du holde Kunst, ich danke dir -
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Der Zwerg, Op. 22/1, D. 771 - Schubertiade: Du holde Kunst, ich danke dir -
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Gretchen am Spinnrade, D. 118 - Schubertiade: Du holde Kunst, ich danke dir -
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Du liebst mich nicht, Op. 59/1, D. 756 - Schubertiade: Du holde Kunst, ich danke dir -
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Nacht und Träume, Op. 43/2, D. 827 - Schubertiade: Du holde Kunst, ich danke dir -
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Allegro in A Minor, Op. 144, D. 947 - Schubertiade: Du holde Kunst, ich danke dir -
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4 Gesänge, Op. 17, D. 983: IV. Die Nacht - Schubertiade: Du holde Kunst, ich danke dir -
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Piano Trio in E-Flat Major, Op. 100, D. 929: II. Andante con moto - Schubertiade: Du holde Kunst, ich danke dir -
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Der König in Thule, Op. 5/5, D. 367 - Schubertiade: Du holde Kunst, ich danke dir -
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Meeres Stille, Op. 3/2, D. 216 - Schubertiade: Du holde Kunst, ich danke dir -
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Deux marches caractéristiques in C Major, Op. 121, D. 886: Marche No. 1 - Schubertiade: Du holde Kunst, ich danke dir -
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Drei Gesänge, Op. 83, D. 902: I. L'incanto degli occhi - Schubertiade: Du holde Kunst, ich danke dir -
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La pastorella al prato, D. 513 - Schubertiade: Du holde Kunst, ich danke dir -
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Arpeggione Sonata in A Minor, D. 821: I. Allegro moderato in A Minor - Schubertiade: Du holde Kunst, ich danke dir -
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Die junge Nonne, D. 828 - Schubertiade: Du holde Kunst, ich danke dir -
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Drei Gesänge, Op. 83, D. 902: II. Il traditor deluso - Schubertiade: Du holde Kunst, ich danke dir -
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Du bist die Ruh, Op. 59/3, D. 776 - Schubertiade: Du holde Kunst, ich danke dir -
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Arpeggione Sonata in A Minor, D. 821: II. Adagio in E Major - Schubertiade: Du holde Kunst, ich danke dir -
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Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": I. Allegro vivace - Schubertiade: Du holde Kunst, ich danke dir -
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Drei Gesänge, Op. 83, D. 902: III. Il modo di prender moglie - Schubertiade: Du holde Kunst, ich danke dir -
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An Sylvia in A Major, Op. 106/4, D. 891 - Schubertiade: Du holde Kunst, ich danke dir -
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Arpeggione Sonata in A Minor, D. 821: III. Allegretto in A Major - Schubertiade: Du holde Kunst, ich danke dir -
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Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": II. Andante - Schubertiade: Du holde Kunst, ich danke dir -
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Divertissement à la hongroise in G Minor, Op. 54, D. 818: I. Andante - Schubertiade: Du holde Kunst, ich danke dir -
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Violin Sonata in G Minor, Op. 137/3, D. 408: I. Allegro giusto - Schubertiade: Du holde Kunst, ich danke dir -
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An die Musik in D Major, Op. 88/4, D. 547 - Schubertiade: Du holde Kunst, ich danke dir -
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Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": III. Scherzo - Schubertiade: Du holde Kunst, ich danke dir -
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Divertissement à la hongroise in G Minor, Op. 54, D. 818: II. Marcia (Andante con moto) - Schubertiade: Du holde Kunst, ich danke dir -
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Violin Sonata in G Minor, Op. 137/3, D. 408: II. Andante - Schubertiade: Du holde Kunst, ich danke dir -
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Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": IV. Andantino (Theme & Variations) - Schubertiade: Du holde Kunst, ich danke dir -
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Divertissement à la hongroise in G Minor, Op. 54, D. 818: III. Allegretto - Schubertiade: Du holde Kunst, ich danke dir -
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Violin Sonata in G Minor, Op. 137/3, D. 408: III. Menuetto - Schubertiade: Du holde Kunst, ich danke dir -
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Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": V. Allegro giusto - Schubertiade: Du holde Kunst, ich danke dir -
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Violin Sonata in G Minor, Op. 137/3, D. 408: IV. Allegro moderato - Schubertiade: Du holde Kunst, ich danke dir -
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Der Tod und das Mädchen, Op. 7/3, D. 531 - Schubertiade: Du holde Kunst, ich danke dir -
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Schwanengesang, D. 957: 14. Die Taubenpost, D. 965a - Schubertiade: Du holde Kunst, ich danke dir -
Jos Van Immerseel
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