Giovanni Paolo Cima
Giovanni Paolo Cima (c. 1570 – 1630) was an Italian composer and organist in the early Baroque era. He was a contemporary of Claudio Monteverdi and Girolamo Frescobaldi, though not as well known (then or now) as either of those men.
Cima came from a family of musicians and was a leading musical figure in Milan. From 1595 he served as director of music and organist at the chapel of Santa Maria presso San Celso in Milan. His Concerti ecclesiastici, a collection which also includes a mass, two Magnificat settings, and six sonatas for 2, 3, and 4 instruments, were published in 1610.
Cima's church music was generally conservative, but his instrumental works were more innovative. His importance lies primarily in being the first composer to publish a trio sonata (for violin, cornett, and basso continuo), in his 1610 collection. It is a single-movement, through-composed work displaying thematic integration and virtuosic display.
Cima died in Milan during the plague of 1630, at about the age of 60. His son Giovanni Battista Cima is not to be confused with the painter Giovanni Battista Cima, called Cima da Conegliano, who was no relation.
Hart 1627
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Bells from the Wallfahrtskirche Hart - Hart 1627 -
Giovanni Paolo Cima
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Allein Gott in der Höh sey Ehr, SwWV 299: I. Variation I - Hart 1627 -
Giovanni Paolo Cima
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Allein Gott in der Höh sey Ehr, SwWV 299: II. Variation II - Hart 1627 -
Giovanni Paolo Cima
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Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III - Hart 1627 -
Giovanni Paolo Cima
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Allein Gott in der Höh sey Ehr, SwWV 299: IV. Variation IV - Hart 1627 -
Giovanni Paolo Cima
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Ons is gheboren een kindekijn, SwWV 315: I. Variation I - Hart 1627 -
Giovanni Paolo Cima
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Ons is gheboren een kindekijn, SwWV 315: II. Variation II - Hart 1627 -
Giovanni Paolo Cima
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Ons is gheboren een kindekijn, SwWV 315: III. Variation III - Hart 1627 -
Giovanni Paolo Cima
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Ons is gheboren een kindekijn, SwWV 315: IV. Variation IV - Hart 1627 -
Giovanni Paolo Cima
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Vater unser im Himmelreich, Variation 9 - Hart 1627 -
Giovanni Paolo Cima
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Vater unser im Himmelreich, Variation 10 - Hart 1627 -
Giovanni Paolo Cima
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Orgel und Klavierwerke, Toccata I in A Minor, FbWV 101 - Hart 1627 -
Giovanni Paolo Cima
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Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: I. Theme - Hart 1627 -
Giovanni Paolo Cima
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Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: II. Pt. 1 - Hart 1627 -
Giovanni Paolo Cima
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Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: III. Pt. 2 - Hart 1627 -
Giovanni Paolo Cima
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Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: IV. Pt. 3 - Hart 1627 -
Giovanni Paolo Cima
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Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: V. Pt. 4 - Hart 1627 -
Giovanni Paolo Cima
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Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: VI. Pt. 5 - Hart 1627 -
Giovanni Paolo Cima
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Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: VII. Pt. 6 - Hart 1627 -
Giovanni Paolo Cima
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Canzona in C Major, FbWV 305, Pt. 1 - Hart 1627 -
Giovanni Paolo Cima
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Canzona in C Major, FbWV 305, Pt. 2 - Hart 1627 -
Giovanni Paolo Cima
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Canzona in C Major, FbWV 305, Pt. 3 - Hart 1627 -
Giovanni Paolo Cima
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Capriccio in G Minor, FbWV 505, Pt. 1 - Hart 1627 -
Giovanni Paolo Cima
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Capriccio in G Minor, FbWV 505, Pt. 2 - Hart 1627 -
Giovanni Paolo Cima
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Capriccio in G Minor, FbWV 505, Pt. 3 - Hart 1627 -
Giovanni Paolo Cima
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Ricercar in G Minor, FbWV 405, Pt. 1 - Hart 1627 -
Giovanni Paolo Cima
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Ricercar in G Minor, FbWV 405, Pt. 2 - Hart 1627 -
Giovanni Paolo Cima
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Ricercar in G Minor, FbWV 405, Pt. 3 - Hart 1627 -
Giovanni Paolo Cima
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Ricercar in G Minor, FbWV 405, Pt. 4 - Hart 1627 -
Giovanni Paolo Cima
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Ricercar in G Minor, FbWV 405, Pt. 5 - Hart 1627 -
Giovanni Paolo Cima
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Canzon 13 in F Major - Hart 1627 -
Giovanni Paolo Cima
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Ciaccona - Hart 1627 -
Giovanni Paolo Cima
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Capriccio sopra Ruggiero - Hart 1627 -
Giovanni Paolo Cima
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Ballo della battaglia - Hart 1627 -
Giovanni Paolo Cima
Riposta
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Tutte le opere, 1624, SV 335: Venite, venite, sitientes ad acquas - Riposta -
Giovanni Paolo Cima
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Canzon XII - Riposta -
Giovanni Paolo Cima
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Ghirlanda sacra, 1625: O quam tu pulchra - Riposta -
Giovanni Paolo Cima
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Parnassus Musicus Ferdinandaeus, 1615, SV 293: Cantate Domino - Riposta -
Giovanni Paolo Cima
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Il secondo libro de motetti a voce sola, 1636: Domine inclina coellos - Riposta -
Giovanni Paolo Cima
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Primo libro de concerti ecclesiastici, 1618, SV 328: Sancta Maria, succure miseris - Riposta -
Giovanni Paolo Cima
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Canzoni da sonar con ogni sorte d'istromenti, 1625: Canzon seconda per cornetto e basson - Riposta -
Giovanni Paolo Cima
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Regole, passaggi di musica, 1594: Angelus ad pastores - Sur un contrafactum de G. P da Palestrina - Riposta -
Giovanni Paolo Cima
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Il secondo libro de Motetti a voce sola, 1636: Pete, pete & agam - Riposta -
Giovanni Paolo Cima
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Capricci a 2 stromenti cioè tiorba e tiorbino e per sonar solo varie sorti di balli e fantasticarie Setnoforelleb Tebedual 1622: Arpeggiata al mio modo - Riposta -
Giovanni Paolo Cima
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Il secondo libro de motetti a voce sola, 1636: Salve Regina - Riposta -
Giovanni Paolo Cima
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Scherzi Musicali 1632, SV 250: No. 5, Et e pur dunque vero - Riposta -
Giovanni Paolo Cima
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Quanti Mercenarii - Sur un contrafactum de G. P da Palestrina, Selva de varii passaggi, 1620 - Riposta -
Giovanni Paolo Cima
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Livre VII de Madrigaux, 1619, SV 120: O come sei gentile - Riposta -
Giovanni Paolo Cima
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Canzonetta spiritual alla nana Curtio precipitato, Venise 1638: Or ch’e tempo di dormire - Riposta -
Giovanni Paolo Cima
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Concerti ecclesiastici, 1620: Capriccio - Riposta -
Giovanni Paolo Cima
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Livre VII de Madrigaux, 1619, SV 140: Ohimé, dov’il mio ben - Riposta -
Giovanni Paolo Cima
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Scherzi Musicali,1632, SV 247: Quel sguardo, sdegnosetto - Riposta -
Giovanni Paolo Cima
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