Anne Pashley
Anne Pashley (5 June 1935 – 7 October 2016) was a British track and field sprinter, who represented Great Britain at the 1956 Summer Olympics. Following her track and field career, she made a second career as a soprano singer.
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Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": I. Bewegt, nicht zu schnell (1886 Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": II. Andante, quasi allegretto (1886 Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell (1886 Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": IV. Finale. Bewegt, doch nicht zu schnell (1886 Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 7 in E Major, WAB 107: I. Allegro moderato - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 7 in E Major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 7 in E Major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 7 in E Major, WAB 107: IV. Finale. Bewegt, doch nicht schnell - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 9 in D Minor, WAB 109: I. Feierlich, misterioso - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 9 in D Minor, WAB 109: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 9 in D Minor, WAB 109: III. Adagio. Langsam, feierlich - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 9 in D Minor, WAB 109: IV Finale. Misterioso, nicht schnell (2012 Revised Samale-Mazzuca-Phillips-Cohrs Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 0 in D Minor, WAB 100 "Nullte": I. Allegro - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 0 in D Minor, WAB 100 "Nullte": II. Andante - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 0 in D Minor, WAB 100 "Nullte": III. Scherzo. Presto - Trio. Langsamer und ruhiger - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 0 in D Minor, WAB 100 "Nullte": IV. Finale. Moderato - Allegro vivace - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 00 in F Minor, WAB 99: I. Allegro molto vivace - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 00 in F Minor, WAB 99: II. Andante molto - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 00 in F Minor, WAB 99: III. Scherzo. Schnell - Trio. Langsamer - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 00 in F Minor, WAB 99: IV. Finale. Allegro - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 1 in C Minor, WAB 101 "Das kecke Beserl": I. Allegro (1877 Linz Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 1 in C Minor, WAB 101 "Das kecke Beserl": II. Adagio (1877 Linz Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 1 in C Minor, WAB 101 "Das kecke Beserl": III. Scherzo. Schnell (1877 Linz Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 1 in C Minor, WAB 101 "Das kecke Beserl": IV. Finale. Bewegt, feurig (1877 Linz Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 2 in C Minor, WAB 102: I. Allegro. Ziemlich schnell (1872 Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 2 in C Minor, WAB 102: II. Scherzo - Trio (1872 Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 2 in C Minor, WAB 102: III. Adagio (1872 Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 2 in C Minor, WAB 102: IV. Finale. Mehr schnell (1872 Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 3 in D Minor, WAB 103 "Wagner Symphony": I. Mehr langsam, misterioso (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987] - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 3 in D Minor, WAB 103 "Wagner Symphony": II. Adagio, quasi andante (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987] - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 3 in D Minor, WAB 103 "Wagner Symphony": III. Scherzo. Ziemlich schnell (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987] - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 3 in D Minor, WAB 103 "Wagner Symphony": IV. Finale. Allegro (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987] - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": I. Bewegt, nicht zu schnell (1880 Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": II. Andante, quasi allegretto (1880 Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell (1880 Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": IV. Finale. Bewegt, doch nicht zu schnell (1880 Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 5 in B-Flat Major, WAB 105: I. Adagio - Allegro (1878 Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 5 in B-Flat Major, WAB 105: II. Adagio. Sehr langsam (1878 Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 5 in B-Flat Major, WAB 105: III. Scherzo. Molto vivace - Trio. Schnell (1878 Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 5 in B-Flat Major, WAB 105: IV. Finale. Adagio - Allegro moderato (1878 Version) - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 6 in A Major, WAB 106: I. Maestoso - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 6 in A Major, WAB 106: II. Adagio. Sehr feierlich - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 6 in A Major, WAB 106: III. Scherzo. Nicht schnell - Trio. Langsam - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 6 in A Major, WAB 106: IV. Finale. Bewegt, doch nicht zu schnell - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 7 in E Major, WAB 107: I. Allegro moderato - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 7 in E Major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 7 in E Major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 7 in E Major, WAB 107: IV. Finale. Bewegt, doch nicht schnell - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 8 in C Minor, WAB 108: I. Allegro moderato (1890 Version) [Live, Philharmonie am Gasteig, Munich, 1993] - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Bruckner: Symphony No. 8 in C Minor, WAB 108: II. Scherzo. Allegro moderato - Trio. Langsam (1890 Version) [Live, Philharmonie am Gasteig, Munich, 1993] - Bruckner: The Romantic Master - Symphonies & Masses -
Anne Pashley
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Parsifal, Act I: Prelude (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Vom Bade kehrt der König heim (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Hier war das Tosen! Hier! Hier! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Wer nahet dort dem heil'gen Quell (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: He! Ho! Waldhüter ihr (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Verwandlungsmusik (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Komm'! Komm'! Holder Knabe! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Heil mir, dass ich dich wieder finde! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Seht dort, die wilde Reiterin! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Nun achte wohl und lass mich seh'n (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Parsifal! Weile! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Zu ihm, des tiefe Klagen (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Recht so! Habt Dank! Ein wenig Rast (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Mein sohn Amfortas, bist du am Amt? (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Dies alles - Hab' ich nun geträumt? (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: O Herr! War es ein Fluch (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Nicht Dank! Ha, ha! Was wird es helfen? (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Wehvolles Erbe, dem ich verfallen (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Ich sah das Kind an seiner Mutter Brust (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Nicht so! Die heil'ge Quelle selbst (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: O wunden-wundervoller heiliger Speer! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Enthüllet den Gral! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Wehe! Wehe! Was tat ich? (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Gesegnet sei, du Reiner, durch das Reine! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Titurel, der fromme Held (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Wein und Brot des letzten Mahles (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Amfortas! Die Wunde! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Wie dünkt mir doch die Aue heut so schön! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Weh! Weh! - Wer ist der Frevler? (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Was stehst du noch da? (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Grausamer! Fühlst du im Herzen (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Du siehst, das ich nicht so (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Nun sag! Nichts weißt du, was ich dich frage (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Prelude - Die Zeit ist da (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Vergeh, unseliges Weib! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Mittag. Die Stund' ist da (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Ach! Ach! Tiefe Nacht (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Prelude (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Geleiten wir im bergenden Schrein (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Ho! Ihr Wächter! Ho! Ritter! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Von dort her kam das Stöhnen (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Ja, wehe! Weh' über mich (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Nur eine Waffe taugt (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Höchsten Heiles Wunder! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato - Sir Colin Davis: The Icon -
Anne Pashley
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Piano Concerto in A Minor, Op. 16: II. Adagio - Sir Colin Davis: The Icon -
Anne Pashley
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Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 5 in E-Flat Major, Op. 82: I. Tempo molto moderato – Largamente – Allegro moderato – Presto - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto – Misterioso – Un pochettino largamente – Largamente assai - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio – Vivace assai - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 94 in G Major, Hob. I:94 "Surprise": II. Andante - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 94 in G Major, Hob. I:94 "Surprise": III. Menuetto – Trio. Allegro molto - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": 1. Allegro con brio - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": 2. Marcia funèbre (Adagio assai) - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": 3. Scherzo (Allegro vivace) - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": 4. Finale (Allegro molto) - Sir Colin Davis: The Icon -
Anne Pashley
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Le nozze di Figaro, K. 492: Overture - Sir Colin Davis: The Icon -
Anne Pashley
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Così fan tutte: Overture - Sir Colin Davis: The Icon -
Anne Pashley
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Die Zauberflöte, K. 620: Overture - Sir Colin Davis: The Icon -
Anne Pashley
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Peter Grimes, Op. 33 / Act 1: Interlude II: The Storm - Sir Colin Davis: The Icon -
Anne Pashley
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Peter Grimes, Op. 33 / Act 2: Interlude III: Sunday morning by the beach - Sir Colin Davis: The Icon -
Anne Pashley
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Peter Grimes, Op. 33 / Act 2: Interlude IV: Passacaglia - Sir Colin Davis: The Icon -
Anne Pashley
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Symphonie fantastique, H. 48: I. Rêveries – Passions - Sir Colin Davis: The Icon -
Anne Pashley
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Symphonie fantastique, H. 48: II. Un bal. Valse - Sir Colin Davis: The Icon -
Anne Pashley
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Symphonie fantastique, H. 48: III. Scène aux champs - Sir Colin Davis: The Icon -
Anne Pashley
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Symphonie fantastique, H. 48: IV. Marche au supplice - Sir Colin Davis: The Icon -
Anne Pashley
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Symphonie fantastique, H. 48: V. Songe d'une nuit du Sabbat - Sir Colin Davis: The Icon -
Anne Pashley
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Piano Concerto No. 23 in A, K.488: I. Allegro (cadenza by Mozart) - The Very Best of Daniel Barenboim -
Anne Pashley
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Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Adagio - The Very Best of Daniel Barenboim -
Anne Pashley
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Piano Concerto No. 23 in A, K.488: II. Adagio - The Very Best of Daniel Barenboim -
Anne Pashley
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Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Finale - Allegro - - The Very Best of Daniel Barenboim -
Anne Pashley
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Piano Concerto No. 23 in A, K.488: III. Allegro assai - The Very Best of Daniel Barenboim -
Anne Pashley
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Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Allegro molto - The Very Best of Daniel Barenboim -
Anne Pashley
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Piano Trio in G, K.564: I. Allegro - The Very Best of Daniel Barenboim -
Anne Pashley
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Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Adagio, ma non troppo - The Very Best of Daniel Barenboim -
Anne Pashley
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Piano Trio in G, K.564: II. Tema con variazioni: Andante - The Very Best of Daniel Barenboim -
Anne Pashley
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Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Marica, assai vivace - Allegro - The Very Best of Daniel Barenboim -
Anne Pashley
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Piano Trio in G, K.564: III. Allegretto - The Very Best of Daniel Barenboim -
Anne Pashley
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Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Allegretto, ma non troppo (quasi Andante con moto) - Presto - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Thema : Allegretto - The Very Best of Daniel Barenboim -
Anne Pashley
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Jeux d'enfants (Petite Suite): Marche (Trompette et Tambour) - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation I - The Very Best of Daniel Barenboim -
Anne Pashley
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Jeux d'enfants (Petite Suite): Berceuse (La poupée) - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation II - The Very Best of Daniel Barenboim -
Anne Pashley
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Piano Concerto No. 1, Sz.83: Allegro moderato - Allegro - Allegro moderato - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation III - The Very Best of Daniel Barenboim -
Anne Pashley
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Preludes, Op.28: No. 4 in E minor (Largo) - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation IV - The Very Best of Daniel Barenboim -
Anne Pashley
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Piano Concerto No. 2 in B Flat Major, Op.83: III. Andante - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation V - The Very Best of Daniel Barenboim -
Anne Pashley
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Pavane Op. 50 (1887, orchestral version) - 1987 Digital Remaster - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation VI - The Very Best of Daniel Barenboim -
Anne Pashley
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Te Deum: Te Deum laudamus (choir/solo quartet) - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation VII - The Very Best of Daniel Barenboim -
Anne Pashley
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Te Deum: Te ergo quaesumus (solo quartet) - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variaton VIII - The Very Best of Daniel Barenboim -
Anne Pashley
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Te Deum: Aeterna fac cum sanctis tuis (solo quartet/choir) - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation IX: Adagio - The Very Best of Daniel Barenboim -
Anne Pashley
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Te Deum: Salvum fac populum tuum (solo quartet/choir) - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation X: Allegro - The Very Best of Daniel Barenboim -
Anne Pashley
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Te Deum: In te, Domine, speravi (choir/solo quartet) - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: (Tempo I) - The Very Best of Daniel Barenboim -
Anne Pashley
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Don Giovanni, K.527, Act I, Scena quarta: Tra quest'arbori celata (Zerlina/Don Giovanni/Masetto) - The Very Best of Daniel Barenboim -
Anne Pashley
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Don Giovanni, K.527, Act I, Scena quarta: Bisogna aver corragio (Donna Elvira/Don Ottavio/Donna Anna/Leporello/Don Giovanni) - The Very Best of Daniel Barenboim -
Anne Pashley
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Don Giovanni, K.527, Act I, Scena quarta: Protegga il giusto cielo (Donna Anna/Don Ottavio/Donna Elvira) - The Very Best of Daniel Barenboim -
Anne Pashley
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Symphony No.41 in C, K.551 'Jupiter': IV. Finale (Allegro molto) - The Very Best of Daniel Barenboim -
Anne Pashley
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